Signing the Contract, and What It CostFinley, Martha
General
Signing the Contract, and What It Cost
Finley, Martha
American fiction -- 19th century
“Where is your curiosity?” she queried. “You have not even asked if I
found the will.”
“No, to be sure! And you did?”
She shook her head. “I am quite convinced that it never existed.”
“I presume you are right there. But I have found my curiosity, and am
burning with desire to hear how you came to discover the other paper,
to find your aunt, and--and all the rest of it. You remember that I
know absolutely nothing of your history from the time of your leaving
Cranley to this, except the few moments that we were together in Mr.
Lea’s library.”
“And I,” she returned, “am burning with desire to see those pictures,
and to learn how they are to assist me in my quest. The story is too
long to be told in an hour, Espy, with all the minute detail that I
know you would require. So you shall have it at another time.”
“Will you let me see you home, and spend the evening with you?”
“Yes, if my aunt will spare me. She’s an invalid, and seems to value my
society far beyond its real worth.”
“Then her estimate must be high indeed,” he responded in the same
playful tone. “But since it is your wish, fair lady, I will now conduct
you to the Art Gallery and show you the pictures.”
He led her out of the little dell up a flight of steps in the grassy
bank, and together they traversed the winding paths and broad avenues
that led to the Art Building, walking along side by side silently,
yet only dimly conscious of the delicious summer air, the brilliant
sunlight, the gay parterres, the crowds of people in the walks and
passing up and down the broad, white marble steps of Memorial Hall as
they ascended them.
For once Ethel had utterly forgotten her quest, and did not look into
a single one of the hundreds of faces she passed. But a bright little
girl, standing at the foot of those same marble steps, and holding fast
to the hand of a young man, was more observant.
“What a pretty lady, Ellis!” she said, gazing after Ethel’s lithe,
graceful figure as it flitted by. “And she looks like Dora. I thought
it was at first, but she has another sort of dress on.”
“Yes, Nan, it was a pretty face, and something like Dora’s, I thought
too,” returned the lad. “You are tired, little sister, and yonder is an
empty seat. Shall we go to it?”
“Yes--no; see, they’re coming now.”
Then letting go his hand, and running to meet a lady and gentleman who
were sauntering toward them from the direction of the Main Building,
“Papa and mamma,” she cried, “Ellis and I have been waiting a long
time. Shall we go in now to see the pictures?”
“It is growing late, Nan, and tea will be ready by the time we can
get home if we start at once,” said the father. “Your mother is much
fatigued, too--very tired indeed; so we will leave the pictures for
another time.”
“Well, I don’t care, if mamma’s tired,” said the child, putting her
hand into his.
Both parents smiled approval, and the little party walked away together
toward the place of exit from the grounds.
Public-domain text, read in full here on John Shaqi.
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