Signing the Contract, and What It CostFinley, Martha
General
Signing the Contract, and What It Cost
Finley, Martha
American fiction -- 19th century
In the mean time Espy was making way for himself and Ethel through the
crowds that filled the corridors of Memorial Hall.
Reaching that portion of the building appropriated to the works
of American artists, he paused for a moment or two before several
paintings in succession, calling her attention to the good points of
each, and giving the artist’s name; but when they came to his own he
waited silently for her to speak.
One glance, and she turned to him, her eyes full, her features working
with emotion.
“Mother!” was the one word that came low and gaspingly from the
quivering lips.
His face was a study, the gratified pride of the artist mingling with
the tender sympathy of the lover.
He drew her arm within his, for she was trembling like an aspen leaf.
She allowed him to support her while she turned again to the picture
and studied it with mournful pleasure.
Mrs. Kemper’s face was a peculiar one, and had changed but little
during the fifteen quiet, uneventful years of her life in Cranley. This
picture of Espy’s--painted from memory--represented her as he had first
seen her, with the little Ethel by her side dressed as she was then,
and holding her doll in her arms. The pretty baby-face was as perfect a
likeness as the other. Memory had done him good service here also, and,
in addition, he had had the assistance of a photograph taken about that
time.
A second painting hung by the side of the first--a full-length portrait
of our heroine standing on the threshold of her Cranley home, as Espy
had seen her on looking back after bidding her good-by when leaving for
college the last time before the accident that wrought such woe to the
young, light-hearted girl whose pathway had been hitherto so bright and
sunny.
It was a speaking likeness of a very lovely face, fair and winning,
with the freshness of early youth and the sweetness and vivacity lent
it by a keen intellect and a happy, loving heart. The figure and
attitude were the perfection of symmetry and grace.
It received many a lingering look of admiration from strangers, but a
single glance was all that Ethel bestowed upon it.
But Mrs. Kemper’s face chained her. For many minutes her eyes were
riveted upon it.
“Do not sell this; I must have it,” she said to Espy as at last she
turned sighing away.
“It is yours from this moment,” he said, flashing upon her a look of
ecstatic love.
“It must be late; see how long the shadows are!” she remarked as
they came down the marble steps. “Ah, my aunt has sent for us! how
fortunate!” as she espied a carriage at some little distance, Rory upon
the box, driving slowly along and looking this way and that as if in
search of some one.
She signalled him, and in another minute they were bowling rapidly
homeward.
Arrived, Espy was requested to take a seat in the parlor while Ethel
ran up to her aunt’s room.
The Madame was at first disposed to be cross, but on hearing the
wonderful news her mood changed.
Public-domain text, read in full here on John Shaqi.
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