Signing the Contract, and What It CostFinley, Martha
General
Signing the Contract, and What It Cost
Finley, Martha
American fiction -- 19th century
So loved and cared for, and blessed with a sweet, generous,
affectionate disposition, hers was a bright, sunny childhood. She was
spared even the loneliness of many an only child, finding companion,
playmate, and friend in the little son of the nearest neighbor.
The grounds of the Aldens and Kempers adjoined, and immediately upon
the arrival of the latter, friendly relations were established between
the two families. Mrs. Alden called upon her new neighbors, taking
with her her five-year-old Espy, a flaxen-haired, blue-eyed boy, who
straightway fell in love with the lustrous, laughing brown orbs and
dark curls of baby Floy.
She sat on a cushion by the side of her new mamma, daintily habited
in white, a gold chain about her neck, knots of blue ribbon at her
shoulders, and a wide sash of the same at her waist. The plump little
arms hugged close to her bosom a doll half as large as herself, while
the sweet baby voice sang cheerily, “Bye, baby, bye!”
“What’s your name?” asked Espy, regarding her with admiring eyes.
“Florence,” answered Mrs. Kemper quickly, “but we call her Floy for
short.”
“That’s a pretty name, and you’re a pretty baby,” he said, giving her a
kiss. “Nex’ time I come I’ll bring my kitten. She’s a nice cat, and I
love her; but I’ll just give her to you, if you want her.”
“I was never more surprised,” remarked Mrs. Alden in an aside to Mrs.
Kemper. “He prizes that kitten above all his other possessions.”
And thus it ever was from that first moment. Nothing could be, in
Espy’s esteem, too good, beautiful, or precious to be given to
Floy--“his little wife,” as he began to call her before she was three
years old, challenging a special proprietorship in her with which no
other boy was allowed to interfere.
A day seldom passed in which he did not present some offering at her
shrine, though it were no more than a sweet-scented clover-blossom or a
brightly-tinted autumn leaf.
They shared each other’s joys and sorrows: all her little griefs were
confided to him; to her he recounted all his boyish dreams of future
achievement when he should arrive at man’s estate.
He was a born artist, and found in Floy his chief inspiration; for
while his parents and older brothers and sisters laughed at and
discouraged him, she believed thoroughly in him, and was sure he would
some day be a Rubens, a Raphael, a Michael Angelo, or something even
greater than any of them or all put together; and her graceful little
figure and winsome face furnished him with a model that he was never
weary of copying.
Mr. Alden, hoping that this son would embrace one of the learned
professions, determined to give him a liberal education; and the first
great grief either Floy or Espy had known was the parting when the
latter went away to school. Yet there was compensation in a steady
correspondence, kept up with the knowledge and approval of their
parents, and in the joy of the reunion when vacation brought Espy home
again.
Public-domain text, read in full here on John Shaqi.
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