Signing the Contract, and What It CostFinley, Martha
General
Signing the Contract, and What It Cost
Finley, Martha
American fiction -- 19th century
The shadow of a smile flitted over the face of the new-comer.
“No,” laughed Hetty, divining her thought, “I would not be a slattern
if all the men were at the bottom of the sea. Don’t judge of me by
Patsy, I beg of you,” she added, with an odd grimace; “dirt and she
have so strong an affinity for each other that there’s no keeping them
apart.” And taking Floy’s hat and shawl, she hurried away. She was back
again by the time our heroine had finished her hasty toilet.
Floy’s story had not preceded her. She had not felt willing that it
should, and even Mrs. Sharp knew little more than that she was a young
girl of good family who wished to learn dress-making and millinery.
But the deep mourning told of recent bereavement, and something in the
patient sadness of the face went to Hetty’s warm heart. With a sudden
impulse she threw her arms about Floy and kissed her.
“You poor thing, so far away from home and all you love!” she said, “it
must seem terribly hard.”
Floy’s lip trembled and her eyes filled. She could only return the
embrace in silence; her heart was too full for speech.
“Hetty!” said a voice from the dining-room, “Hetty, isn’t it time to
ring the bell?”
“In a minute, mother, as soon as I can dish up the meat and potatoes,”
answered the girl, stepping out and drawing Floy with her. “Mother,
this is Miss Kemper, the young lady that was expected to come from the
West, you know.”
Mrs. Goodenough, as Floy afterward learned to call her, was a
heavy-featured, gray-haired, sallow woman, as dull, absent-minded, and
slow as Hetty was bright and quick.
“Ah, yes; how d’ye do? But I didn’t know there was a train came in so
early,” she said, shaking hands with Floy. “Ring that bell quick,
Patsy!” as a step was heard in the hall, slipshod but hasty and
impatient.
Mrs. Goodenough waddled into the kitchen (she was stout in figure and
clumsy in gait). Patsy seized the bell, and Hetty came hurrying in with
a dish of baked potatoes just as the door opened and another woman,
alert in movement and sharp of feature, with a keen black eye, hair in
crimping-pins, and a tall, wiry figure arrayed in a calico wrapper,
clean and fresh but evidently thrown on in haste, came bustling in.
“Sarah, it’s getting late, and you know how the work’s hurrying us--six
or eight dresses to be made this week, and--ah?” in a tone of inquiry
as her eye fell upon Floy standing silently there.
Patsy’s bell was clanging in the hall.
“Miss Kemper, Aunt Prue!” shouted Hetty. “Breakfast’s ready now, and it
isn’t quite six yet.”
Floy received a hasty nod, the black eyes scanning her from head to
foot; then dashing into the hall, Mrs. Sharp seized Patsy with one
hand, the bell with the other.
“That’s enough! will you never learn when to stop? How do you suppose
Mr. Sharp can sleep through all this din? Come, girls, make haste!” and
she turned into the dining-room again, followed by four apprentices, to
whom the last words were addressed as they came flying down the stairs.
Public-domain text, read in full here on John Shaqi.
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