Signing the Contract, and What It CostFinley, Martha
General
Signing the Contract, and What It Cost
Finley, Martha
American fiction -- 19th century
“That’s splendid, Aunt Prue,” returned Hetty, “but we must be careful
not to work a willing horse to death.”
“Of course, Hetty; did I ever do that?”
An odd little smile played about the girl’s lips, but she only said:
“We’ve taken in a good many orders to-day; sold off most of our stock
of ready-made hats too, and--there! it’s striking eleven, and I have
two hats to trim before I go to bed.”
“You’re worth your weight in gold, Hetty, and it’s a fine thing you
need so little sleep,” remarked her aunt. “But I think Sarah should
relieve you of the oversight of Patsy and the meals more than she does.”
“Mother’s not well,” said Hetty shortly.
“Oh, she’s hipped; it’s more that than anything else,” laughed Mrs.
Sharp. “Good-night,” and she left the room.
“Hipped! of course she is! Everybody is that complains of anything,
except that Sharp Thorne of hers,” muttered Hetty, adjusting flowers,
feathers, and loops of ribbon with deft and rapid fingers. “And of
course I wouldn’t enjoy being in bed now, or lying an hour later in the
morning! Well, thank Heaven, I haven’t a man to support, and don’t need
one to support me,” she added cheerily.
CHAPTER XVII.
HETTY TO THE RESCUE.
“The drying up a single tear has more
Of honest fame than shedding seas of gore.”--BYRON.
“Hetty Goodenough, you’ll have to interfere, and set your foot down
firmly too, or the child’s health will be ruined for life,” remarked
that young lady to herself, stealing another and another furtive glance
at the wan, thin cheeks of Floy Kemper. “Why, she’s but the ghost of
the pretty girl the expressman brought here two months ago.”
The Christmas holidays were near at hand, and for weeks past orders for
party-dresses, head-dresses, opera cloaks, etc., had poured in upon
the establishment till, as Mrs. Sharp said, they were driven almost to
distraction.
It was now near midnight following one of the hardest days of the
season, and all the weary toilers save these two had left the work-room
to seek the rest so sorely needed.
“Floy,” said Hetty aloud.
They had long since taken up the habit of calling each other by these
familiar names.
“Well, Hetty?” and the girl, who was busily engaged in looping up the
folds of rich silk and lace on an over-skirt, with delicate blossoms
wonderfully real in their loveliness, looked up from her work with a
faint smile.
“Do give that up for to-night; you’ve done too much to-day by a great
deal.”
“But it can’t be helped while so many are hurrying us so for their
dresses, and this will be done now in a few minutes.”
“The heartless creatures!” ejaculated Hetty. “There’s nothing hardens
the heart like love of dress, Floy; I’d rather be--what I am--worked
half to death--than a butterfly of fashion. Well, if you’re determined
to finish that, I must come and help you.”
“Thank you,” said Floy. “What makes you so good to me, Hetty?”
“It’s odd, isn’t it? but somehow I took a fancy to you the first minute
I set eyes on you.”
Public-domain text, read in full here on John Shaqi.
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