English fiction -- 20th century; Short stories, English
It is unquestionably true that the hideous, depraved, and insulting
grimace which had so unexpectedly revealed the soul of Douglas Owen,
was solely responsible for the maximum sentence of twenty years’ penal
servitude that was imposed upon him.
If a man continually flouts the angels of grace, he must expect at last
to be delivered over to the devil he so devotedly serves.
THE HIDDEN BEAST
His house is the last in the village. Towards the forest the houses
become more and more scattered, reaching out to the wild of the wood
as if they yearned to separate themselves from the swarm that clusters
about the church and the inn. And his house has taken so long a stride
from the others that it is held to the village by no more than the
slender thread of a long footpath. Yet the house is set with its face
towards us, and has an air of resolutely holding on to the safety of
our common life, as if dismayed at its boldness in swimming so far it
had turned and desperately grasped the life-line of that footpath.
He lived alone, a strange man, surly and reticent. Some said that he
had a sinister look; and on those rare occasions when he joined us at
the inn, after sunset, he sat aside and spoke little.
I was surprised when, as we came out of the inn one night, he took
my arm and asked me if I would go home with him. The moon was at the
full, and the black shadows of the dispersing crowd that lunged down
the street seemed to gesticulate an alarm of weird dismay. The village
was momentarily mad with the clatter of footsteps and the noise of
laughter, and somewhere down towards the forest a dog was baying.
I wondered if I had not misunderstood him.
As he watched my hesitation his face pleaded with me. “There are times
when a man is glad of company,” he said.
We spoke little as we passed through the village towards the silences
of his lonely house. But when we came to the footpath he stopped and
looked back.
“I live between two worlds,” he said, “the wild and ...”--he paused
before he rejected the obvious antithesis, and concluded--“the
restrained.”
“Are we so restrained?” I asked, staring at the huddle of
black-and-silver houses clinging to their refuge on the hill.
He murmured something about a “compact,” and my thoughts turned to the
symbol of the chalk-white church-tower that dominated the honeycomb of
the village.
“The compact of public opinion,” he said more boldly.
My imagination lagged. I was thinking less of him than of the
transfiguration of the familiar scene before me. I did not remember
ever to have studied it thus under the reflections of a full moon. An
echo of his word, differently accented, drifted through my mind. I saw
our life as being in truth compact, little and limited.
Public-domain text, read in full here on John Shaqi.
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