English fiction -- 20th century; Short stories, English
I saw him alone once before he went, and he told me that he had chosen
for the wild and freedom, that he could no longer endure to be held to
the village even by the thread of the footpath.
But he did not thank me for having allowed the search of his house to
be conducted by daylight, although he knew that I at least was sure no
echo of the forest could be heard in that little room of his save in
the transfigured hours between the dusk and the dawn.
THE BARRAGE
_A STUDY IN EXTROVERSION_
My friend has a wonderful voice, a primitive voice, open-throated
and resonant, the great chest roar of the wild. When he shouts he
does it without visible effort. The full red of his face may deepen
to the opening shades of purple, but that evidence of constriction
is due solely to emotion. The lift of a major third in his tone is
accomplished without any appearance of muscular effort. He opens
another cylinder and lets the additional power find its own pitch in
the reverberating brass of the fog-horn. And the effect is as if the
devastating crash of the barrage had come suddenly and horribly near.
Perhaps, for one instant, the attack of his voice ceases, and then
while the room still trembles to the echo of his last statement, the
barrage leaps forward and spills its explosion into the secret refuges
of my being.
Behind that cover, the sense of the statements he gives forth with
such enormous assurance creeps up and falls upon me while I am still
insensible. It is as though his argument bayoneted me treacherously
while I am paralysed from shock. If my mind were free I could defeat
the simple attack of his argument; but should I be given one trifling
opportunity for speech I can never take it. My mind is battered,
crushed and inert. I dare not lift my head for fear of exposing myself
again to that awful approach of the barrage.
My friend has described himself so conclusively in a term of the old
free-trade dispute, that nothing could be added to enlighten his
definition. He is, and prides himself vociferously on the fact, a
whole-hogger. He gets that off on his lower register which is just
bearable. There is no need for the barrage to defend the approach of
that statement. It is self-evident. The great welt of his boots,
massive as an Egyptian plinth; the stiff hairiness of his bristling
tweeds; the honest amazement of his ripe face; the very solidity of
the signet ring that is nevertheless not too heavy for his hirsute
finger--all these proclaim him as the type and consummation of the
whole-hogger.
Public-domain text, read in full here on John Shaqi.
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