English fiction -- 20th century; Short stories, English
And I certainly did not regret the walk to Highgate and back, nor the
two hours’ wait at Ludgate Hill for the 3.15 “paper” train. Wallace
let himself go that night, and made me realise that his novel was to
be the best thing for years. He told me all about it. The book was
to be a complete exposition of the British national character, as
portrayed in the person of his hero, Joseph Blake. Blake was to be a
success; a typical member of the middle class, educated at a grammar
school, entering a business career at eighteen, and Parliament at
forty-five; achieving cabinet rank at fifty-four, and the Premiership
at sixty-three. As a background to the central figure there were to
be any number of minor characters, all, as it were, supporting and
representing Blake--“the firm mass of British opinion” Wallace called
it. The single exception was to be a school friend of Blake’s, a man of
brilliant parts, but without social or personal ambitions, who spent
his life in writing works of philosophy that nobody wanted to read. He
was not poor, nor, in a sense, neglected--“we’ll get away altogether
from the typical romance,” Wallace commented--but his work and life
counted for nothing in popular opinion. The real climax of the book,
and incidentally the very first suggestion that Blake was not a great
man nor his friend (“I have thought of calling him John Rooke,” Wallace
said) a failure, was reached in the last few pages, when Blake, after a
prolonged illness, and patiently waiting for death, confides in Rooke
that he knows, now, that such a career as his had been was wasted
effort. To which Rooke replies that he had known that at school.
“How much of the book have you written?” I asked Wallace just before we
parted.
“About 80,000 words,” he told me, “but I am not absolutely satisfied
with some of the detail. What I propose to do is to finish the thing
and then partly rewrite it.”
He went to America on a long lecture-tour that autumn, and I did not
see him again for twelve months. I sought him out, then, because
McGillett made a casual reference to the magnum opus at lunch one day,
and I realised that I was no longer the only recipient of Wallace’s
confidence. In those days one of McGillett’s sources of income was
finding books for publishers, and afterwards using what influence he
had to get his discoveries well noticed in the Press; and when I found
that he knew about the book, I was afraid that I might not, after all,
get it for Hallows and Rice.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account