English fiction -- 20th century; Short stories, English
He crept down the long three flights of stairs like some wary criminal
feeling his cautious way to liberty. But once he had, with infinite
deliberation, slipped back the ailing latch of the front door, he
lifted his head and squared his shoulders with a great gasp of relief.
He could have wept tears of exultation. He was filled with a deep
thankfulness for this boon of his enlargement....
There was no sound of guns as yet; nor any sweep of searchlights
tormenting the wide gloom of the sky. It was a wonderful, calm night; a
little misty on the ground; but, above, the moon was serene and bright
as a new guinea.
He had no hesitation as to his direction. He desired the greatest
possible expansion of outlook; and turned his face at once towards the
river. On the Embankment he would be able to see a wide arc of the sky.
He had a sense of setting about a prohibited adventure, full of the
most daring and delicious excitements. His one dread was that he might
be interfered with, stopped, sent home.
The cycling policemen looked at him, he thought, with peculiar
suspicion. They gruffly shouted at him to take cover, with a curt note
of warning, as if he were breaking the law by indulging himself in this
escapade. He tried to avoid notice by slinking into the shadows. That
cold, inimical moonlight made everything so conspicuous....
Except for the policemen, the streets were vividly empty. He could feel
the spirit of London crouched in expectancy. Behind every darkened
window men, women, and children waited and longed for the relief of the
first gun. And while they waited they chattered and smiled. And all
their laughter and conversation was like these streets, vividly empty;
their spirits had taken cover.
He alone was free, exempt, rejoicing in his liberty....
The ground mist was thicker on the Embankment; and for a moment he
was confused by the loom of a strange obelisk that had a curiously
remote, exotic air in the midst of this familiar London. Then he
recognised the outline as that of Cleopatra’s Needle, and went close
up to the alien monument of another age and stared up at it in the
proclamatory moonlight. He wondered if any magic lingered in those
cryptic inscriptions? If they might not have endowed the very granite
with curious, occult powers. He was still staring at the solemn portent
of the obelisk when the barrage opened with unusual suddenness....
For a time he was crushed and overwhelmed by the pressure of that
intimidating fury of sound. He cowered and winced like a naked soul
exposed to the intimate vengeance of God. He was as beaten and battered
by the personal threat of those cumulative explosions as if every gun
sought him and him alone as the objective of its awful wrath.
Public-domain text, read in full here on John Shaqi.
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