Silence, and other storiesFreeman, Mary Eleanor Wilkins
General
Silence, and other stories
Freeman, Mary Eleanor Wilkins
New England -- Social life and customs -- Fiction; Short stories, American
The funeral urns and weeping-willows, a very art of sorrow in
themselves, with their every curve the droop of a mourner’s head, and
all their flowing lines of tears, were still distinct. Indeed, the
man who had graven many of them was still alive, and not yet past
his gloomy toil. He lived in his little house not far beyond the
burying-ground, and his name was Ichabod Buckley. He had a wife Sarah,
a son Ichabod, and three daughters, Submit, Rebecca, and Persis. When
Persis was twelve years old a great change and a romance came into her
life. She was the youngest of the family; her brother was ten years
older than she; her sisters were older still. She had always been to
a certain extent petted and favored from her babyhood; however, until
she was twelve, she had not been exempt from her own little duties and
privations. She had gathered drift-wood on the shore, her delicate
little figure buffeted and shaken by rough winds. She had dug quahaugs,
wading out in the black mud, with her petticoats kilted high over
her slender childish legs. She had spun her daily stint, and knitted
faithfully harsh blue yarn socks for her father and brother. In the
early autumn, when she was twelve years old, all that was changed.
One morning in September it was hot inland, but cool on the point of
land reaching out into the sea where the Buckley house stood. The son,
Ichabod, had gone to sea in a whalingvessel; the father was at home,
working in the little slanting shed behind the house. One could hear
the grating slide of his chisel down the boughs of a weeping-willow on
a new gravestone. A very old woman of the village had died that week.
At the left of the house there was a bright unexpected glint from a
great brass kettle which the eastern sun struck. Ichabod Buckley’s
wife had her dye-kettle out there on forked sticks over a fire. She
was dyeing some cloth an indigo-blue, and her two elder daughters were
helping her. The two daughters Submit and Rebecca looked like their
mother. The three, from their figures, seemed about of an age--all tall
and meagre and long-limbed, moving in their scanty petticoats around
the kettle with a certain dry pliability, like three tall brown weeds
on the windy marsh.
Persis came up from the shore at the front of the house with her arms
full of drift-wood. She was just crossing the front yard when she heard
a sound that startled her, and she stood still and listened, inclining
her head towards the woods on the right. In the midst of these woods
was the cleared space of the graveyard; the rough path to the main road
ran past it.
Seldom any but horseback riders came that way; but now Persis was sure
that she heard the rumble of carriage-wheels, as well as the tramp of
horses’ feet. She turned excitedly to run to her mother and sisters;
but all at once the splendid coach and four emerged with a great
flourish on the open space before the house, and she stood still.
Public-domain text, read in full here on John Shaqi.
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