Silence, and other storiesFreeman, Mary Eleanor Wilkins
General
Silence, and other stories
Freeman, Mary Eleanor Wilkins
New England -- Social life and customs -- Fiction; Short stories, American
When Evelina met them in the doorway, after meeting was done, she bowed
with a sweet cold grace to the bride, who courtesied blushingly in
return, with an awkward sweep of her foot in the bridal satin shoe. The
bridegroom did not look at Evelina at all. He held his chin well down
in his stock with solemn embarrassment, and passed out stiffly, his
bride on his arm.
Evelina, shining in the sun like a silver lily, went up the street, her
father stalking beside her with stately swings of his cane, and that
was the last time she was ever seen at meeting. Nobody knew why.
When Evelina was a little over thirty her father died. There was not
much active grief for him in the village; he had really figured therein
more as a stately monument of his own grandeur than anything else.
He had been a man of little force of character, and that little had
seemed to degenerate since his wife died. An inborn dignity of manner
might have served to disguise his weakness with any others than these
shrewd New-Englanders, but they read him rightly. “The Squire wa’n’t
ever one to set the river a-fire,” they said. Then, moreover, he left
none of his property to the village to build a new meeting-house or a
town-house. It all went to Evelina.
People expected that Evelina would surely show herself in her mourning
at meeting the Sunday after the Squire died, but she did not. Moreover,
it began to be gradually discovered that she never went out in the
village street nor crossed the boundaries of her own domains after her
father’s death. She lived in the great house with her three servants--a
man and his wife, and the woman who had been with her mother when she
died. Then it was that Evelina’s garden began. There had always been a
garden at the back of the Squire’s house, but not like this, and only a
low fence had separated it from the road. Now one morning in the autumn
the people saw Evelina’s man-servant, John Darby, setting out the
arbor-vitæ hedge, and in the spring after that there were ploughing and
seed-sowing extending over a full half-acre, which later blossomed out
in glory.
Before the hedge grew so high Evelina could be seen at work in her
garden. She was often stooping over the flower-beds in the early
morning when the village was first astir, and she moved among them with
her watering-pot in the twilight--a shadowy figure that might, from her
grace and her constancy to the flowers, have been Flora herself.
As the years went on, the arbor-vitæ hedge got each season a new growth
and waxed taller, until Evelina could no longer be seen above it. That
was an annoyance to people, because the quiet mystery of her life kept
their curiosity alive, until it was in a constant struggle, as it were,
with the green luxuriance of the hedge.
Public-domain text, read in full here on John Shaqi.
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