American fiction -- 20th century; Railroad stories
It was a small, rough room--hardly more than a corner cut off from the
top floor by board partitions. The rest of the floor, outside, was
used only for storage. Simeon Tetlow had achieved here what he
wanted--complete solitude. There was, on the first floor, a magnificent
apartment with lordly mahogany chairs, a baize-covered table and oil
paintings, where twice a year he met his directors; and on the floor
above it was a spacious room bearing on its panel the bronze token,
“President’s Office.” It was occupied at present by three young lady
typewriters who clacked their machines and arranged their hair
and adjusted the shades on the plate-glass windows to suit their
convenience, while in the little room at the top of the building the
president of the corporation hunched himself over a four-dollar desk and
scowled at the dim light that came through the half-sized windows. For
three days after it was finished, Simeon Tetlow occupied the spacious
room below designed for the president of the corporation. Then he
gathered together his few belongings and fled to the top. His gigantic
brain could only work when free from distraction. The mere sense that
some one might rap, even on the outer door of the stately office,
paralyzed him, and his nervous frame, once set a-jangle, trembled,
and palpitated for hours. The mere forbidding of intrusion was not
sufficient. Some well-meaning idiot, laden with news of importance,
would break over the command, and hours of careful thought would be
whirled aloft in the smoke of Simeon’s wrath. He fled to the
loft, dropping, as it were, a trapdoor behind him. No one was to
follow--unless summoned. No literary man was ever more jealous of
solitude. But no mere literary man could think a railroad into existence
or quench a wheat crop with a nod. If Simeon Tetlow’s body had matched
his brain, there would have been no limit to his power. As it was, he
remained a mighty general without an army, a head without hands and
feet. The details of life frustrated him at every point. He could meet
his directors, serene in the knowledge that the road was prospering
beyond all bounds. He could carry to them the facts and figures and
proofs of prosperity--in his head. But the papers that recorded these
facts, the proofs in black and white, were never forthcoming at the
right moment. They took to themselves wings--of paper; they flitted and
skulked and hid; they lay on the top of the pile before him and grinned
at him, their very faces changed to a diabolic scorn that he should not
know them.
Public-domain text, read in full here on John Shaqi.
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