In a minute or two the head clerk returned with the books. This time he
was wearing his spectacles and his first glance through them at Mr.
Rattar gave him an odd sensation. The lawyer's mouth was as hard set and
his eyes were as steady as ever. Yet something about his expression
seemed a little unusual. Some unexpected business had turned up to
disturb him, Mr. Ison felt sure; and indeed, this seemed certain from
his request for the letter book and ledger. He now noticed also the cut
on his chin, a sure sign that something had interrupted the orderly
tenor of Simon Rattar's life, if ever there was one. Mr. Ison tried to
guess whose business could have taken such a turn as to make Silent
Simon cut himself with his razor, but though he had many virtues,
imagination was not among them and he had to confess that it was fairly
beyond James Ison.
And yet, curiously enough, his one remark to a fellow clerk was not
unlike the comment of the imaginative Mary MacLean.
"The boss has a kin' of unusual look to-day. There was something kin'
of suspicious in that eye of his--rather as though he thought someone
was watching him."
Mr. Rattar had been busy with the books for some twenty minutes when his
head clerk returned.
"Mr. Malcolm Cromarty to see you, sir," he said.
Silent Simon looked at him hard, and it was evident to his clerk that
his mind had been extraordinarily absorbed, for he simply repeated in a
curious way:
"Mr. _Malcolm_ Cromarty?"
"Yes, sir," said Mr. Ison, and then as even this seemed scarcely to be
comprehended, he added, "Sir Reginald's cousin."
"Ah, of course!" said Mr. Rattar. "Well, show him in."
The young man who entered was evidently conscious of being a superior
person. From the waviness of his hair and the studied negligence of his
tie (heliotrope with a design in old gold), it seemed probable that he
had literary or artistic claims to be superior to the herd. And from the
deference with which Mr. Ison had pronounced his name and his own
slightly condescending manner, it appeared that he felt himself in other
respects superior to Mr. Rattar. He was of medium height, slender, and
dark-haired. His features were remarkably regular, and though his face
was somewhat small, there could be no doubt that he was extremely good
looking, especially to a woman's eye, who would be more apt than a
fellow man to condone something a little supercilious in his smile.
The attire of Mr. Malcolm Cromarty was that of the man of fashion
dressed for the country, with the single exception of the tie which
intimated to the discerning that here was no young man of fashion
merely, but likewise a young man of ideas. That he had written, or at
least was going to write, or else that he painted or was about to paint,
was quite manifest. The indications, however, were not sufficiently
pronounced to permit one to suspect him of fiddling, or even of being
about to fiddle.
Public-domain text, read in full here on John Shaqi.
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