The church had, indeed, an air of great beauty in the morning sunlight.
The Renaissance galleries and woodwork, mellowed by time, were dusted
by that soft warm glow, and the somewhat sparse congregation, in its
magnificently isolated groups, was humanised by it too. The stone of the
chancel, flecked with colour, had a quiet dignity, and even the altar,
ecclesiastically ludicrous, had a grace of its own. There was to be a
celebration after Matins. The historic gold plate was therefore arranged
on the retable with something of the effect of show pieces at Mappin and
Webb's. Peter noticed three flagons, and between them two patens of great
size. A smaller pair for use stood on the credence-table. The gold
chalice and paten, veiled, stood on the altar-table itself, and above
them, behind, rose the cross and two vases of hot-house lilies.
Suggesting one of the great shields of beaten gold that King Solomon had
made for the Temple of Jerusalem, an alms-dish stood on edge, and leant
against the retable to the right of the veiled chalice. Peter found
himself marvelling at its size, but was recalled to his position when
it became necessary to kneel for the Confession.
The service followed its accustomed course, and throughout the whole of
it Peter was conscious of his chaotic sermon. He glanced at his notes
occasionally, and then put them resolutely away, well aware that they
would be all but useless to him. Either he would, at the last, be able to
formulate the thoughts that raced through his head, or else he could do
no more than occupy the pulpit for the conventional twenty minutes with a
conventional sermon. At times he half thought he would follow this easier
course, but then the great letters of the newspaper poster seemed to
frame themselves before him, and he knew he could not. And so, at last,
there was the bowing beadle with the silver mace, and he must set out on
the little dignified procession to the great Jacobean pulpit with its
velvet cushion at the top.
Public-domain text, read in full here on John Shaqi.
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