“It was the last act I ever did,” said Madame Brandt. “I taught
Sultan--oh, he was a dear, beautiful thing--to count and add up and
guess articles taken from the audience. I was at the Hippodrome. Then
at the Nouveau Cirque at Paris; I was at St. Petersburg, Vienna,
Berlin--all over Europe with Sultan.”
“And where is Sultan now?” I asked.
“He is dead. Somebody poisoned him,” she replied, looking into the fire.
After a pause she continued in a low voice, singularly like the growl of
a wrathful animal, “If ever I meet that man alive it will go hard with
him.”
At that moment the door opened and the servant announced:
“Professor Anastasius Papadopoulos!”
Whereupon the shortest creature that ever bore so lengthy a name, a
dwarf not more than four feet high, wearing a frock coat and bright
yellow gloves, entered the room, and crossing it at a sort of trot fell
on his knees by the side of Madame Brandt's chair.
_“Ah! Carissima, je vous vois enfin, Ach liebes Herz! Que j'ai envie de
pleurer!”_
Madame Brandt smiled, took the creature's head between her hands and
kissed his forehead. She also caressed his shoulders.
“My dear Anastasius, how good it is to see you. Where have you been this
long time? Why didn't you write and let me know you were in England?
But, see, Anastasius, I have visitors. Let me introduce you.”
She spoke in French fluently, but with a frank British accent, which
grated on a fastidious ear. The dwarf rose, made two solemn bows, and
declared himself enchanted. Although his head was too large for
his body, he was neither ill-made nor repulsive. He looked about
thirty-five. A high forehead, dark, mournful eyes, and a black moustache
and imperial gave him an odd resemblance to Napoleon the Third.
“I arrived from New York this morning, with my cats. Oh, a mad success.
I have one called Phoebus, because he drives a chariot drawn by six
rats. Phoebus Apollo was the god of the sun. I must show him to you,
Madonna. You would love him as I love you. And I also have an angora,
my beautiful Santa Bianca. And you, gentlemen”--he turned to Dale and
myself and addressed us in his peculiar jargon of French, German,
and Italian--“you must come and see my cats if I can get a London
engagement. At present I must rest. The artist needs repose sometimes.
I will sun myself in the smiles of our dear lady here, and my pupil and
assistant, Quast, can look after my cats. Meanwhile the brain of the
artist,” he tapped his brow, “needs to lie fallow so that he can invent
fresh and daring combinations. Do such things interest you, messieurs?”
“Vastly,” said I.
He pulled out of his breast pocket an enormous gilt-bound pocket-book,
bearing a gilt monogram of such size that it looked like a cartouche
on an architectural panel, and selected therefrom three cards which he
gravely distributed among us. They bore the legend:
PROFESSOR ANASTASIUS PAPADOPOULOS
GOLD AND SILVER MEDALLIST
THE CAT KING
LE ROI DES CHATS
DER KATZEN KONIG
Public-domain text, read in full here on John Shaqi.
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