Single Life: A Comedy, in Three ActsBuckstone, John Baldwin
General
Single Life: A Comedy, in Three Acts
Buckstone, John Baldwin
Comedy plays; English drama -- 19th century
MISS COY. (R.) Look at the "Weekly Tell-tale," you are drawn there in
your true colors. A run-away Opera dancer, and an insolvent
boarding-house keeper, are not the most desirable connexions for any
young bachelor.
MISS MAC. (C.) Pray, madam, which may I be; the dancer or the
housekeeper?
MISS COY. Whichever you prefer, madam.
MISS MAC. Oh! the villiany of the world. This, sir, must be some of
_your_ malice. _(To DAMPER.)_
DAM. No, no, I wish it was.
CHE. _(To MISS MEADOWS.)_ There, now we are both surrounded by
mystery.
MISS MEA. A greater reason than ever that we part.
CHE. A greater reason than ever that we should be the defenders of one
another. Let slander do its worst--I repeat it aloud--let slander do
its worst; for then is the time that we should surround our friends
and defeat its malice. Then is the hour that the lover should be the
more devoted; and, I here prove my devotion, by proclaiming before you
all, that, let these ladies be under the worst of imputations, I am
proud of the friendship of one, and shall be but too happy, to test my
love for the other, by being her husband as soon as she will bestow
upon me that happy title.
MISS MEA. Ah! do I find myself surpassed in generosity; then, indeed,
we are friends once more. _(Giving him her hand.)_
CHE. (L.) There you fluctuating bachelor, _(To NIGGLE.)_ when you wish
to prove your affection, listen not to every idle tale, shrink at
every paltry inuendo; but advance to the rescue of your ladies fame.
Come, Miss Macaw, never heed slanderers, the ripest and the richest
fruit is ever the most pecked. _(Taking the arms of MISS MACAW and
MISS MEADOWS in his own.)_ Come, ladies, I will accompany you home.
Mother! _(To MISS COY.)_ since they will have it so, when you have
fought your good fight, you know where to find me. Come, ladies; Miss
Snare, good evening to you, thanks for your hospitality and its happy
results.
[_Exeunt with MISS MACAW and MISS MEADOWS._
NIG. He's right, he's right, this is the time that I ought to prove my
love, if I have any.
DAM. You _will_ rush into danger.
NIG. _(Passing DAMPER.)_ Oh, Miss Coy, whoever that young man may be,
his sentiments do honour to his heart. I have been weak, but----
MISS COY. Nay, sir, your penitence is useless now, circumstances have
occurred since yesterday, that make the division between us wider than
ever.
NIG. What circumstances?
MISS COY. There is no necessity for explanation; you are free to rove
where you will, and may the next confiding creature that accepts your
proposal be more fortunate than I have been. _(Going.)_
NIG. Nay, nay, don't go, dear, don't go. Damper, I must be married:
think of the delights of a domestic temple of repose--a cheerful wife.
MISS COY. Ah, sir, strike the balance between celibacy and matrimony,
I will assist you. Go on, sir,--a cheerful wife----
NIG. Angelic!
DAM. Sometimes cross as the devil.
NIG. Ah, true!
MISS COY. Dear, rosy children welcoming your return home.
Public-domain text, read in full here on John Shaqi.
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