About this time he happened to pay a visit to Christchurch Priory and by the vaulted airs of that sanctuary he was greatly thrilled. The gargoyles and brasses and effigies of dead knights called to him mysteriously, but the inappropriate juxtaposition of an early Victorian tomb shocked him with a sense of sacrilege. He could not bear to contemplate the nautical trousers of the boy commemorated. Yet, simultaneously with his outraged decorum, he was attracted to this tomb, as if he detected in that ingenuous boy posited among sad cherubs some kinship with himself. In bed that night Michael read The Ingoldsby Legends in a fever of enjoyment, while the shadows waved about the ceiling and walls of the seaside room in the vexed candlelight. As yet the details of the poems did not gain their full effect, because many of the words and references were not understood. He felt that knowledge was necessary before he could properly enjoy the colour of these tales. Michael had always been inclined to crystallize in one strong figure of imagination his vague impressions. Two years ago he had identified Mr. Neech with old prints, with Tom Brown’s Schooldays and with shelves of calf-bound books. Now in retrospect he, without being able to explain his reason to himself, identified Mr. Neech with that statue of the trousered boy in Christchurch Priory, and not merely Mr. Neech but even The Ingoldsby Legends as well. He felt that they were both all wrong in the sanctified glooms of the Middle Ages, and yet he rejoiced to behold them there, as if somehow they were a pledge of historic continuity. Without the existence of the trousered boy Michael would scarcely have believed in the reality of those stone ladies and carved knights. The candlelight fluttered and jigged in the seaside room, while Mr. Neech, The Ingoldsby Legends and the oratories of Christchurch became more and more hopelessly confused. Michael’s excited brain was formulating visions of immense cathedrals beneath whose arches pattered continually the populations of old prints: the tower of St. Mary’s College, Oxford, rose, slim and lovely, against the storm-wrack of a Doré sky: Don Quixote tilted with knights-at-arms risen from the dead. Michael himself was swept along in cavalcades towards the clouds with Ivanhoe, Richard Cœur de Lion, Roderick Random and half a dozen woodcut murderers from the Newgate Calendar. Then, just as the candlelight was gasping and shimmering blue in the bowl of the candlestick, he fell asleep.