“There on my shelves are all the ages. I have spoken to you of Petronius, of Lucian and Apuleius. There is Suetonius, with his incredibly improper tales that show how beastliness takes root and flowers from the deposited muck of a gossip’s mind. There is Tacitus, ever willing to sacrifice decency to antithesis, and Ausonius, whose ribald verses are like monkish recreation; yet he had withal a pretty currency of honest silver Latin, Christian though he was. You must read your Latin authors well, for, since you must be decadent, it is better to decay from a good source. And neglect not the Middle Ages. You will glide most easily into them from the witches and robbers of Apuleius. You will read Boccaccio, whose tales are intaglios carved with exquisitely licentious and Lilliputian scenes. Neither forget Villon, whose light ladies seem ever to move elusively in close-cut gowns of cloth-of-gold and incredibly tall steeple-hats. But even with Villon the world becomes complicated, and you will soon reach the temperamental entanglements of the nineteenth century, for you may avoid the coarse, the beery and besotted obviousness of the Georgian age. “But I like the eighteenth century almost best of all,” protested Michael. “Then cure yourself of that most lamentable and most démodé taste, or I shall presently believe that you read a page or two of Boswell’s Life of Johnson every morning, while the water is running into your bath. You can never be a true decadent, treading delicately over the garnered perfection of the world’s art, if you really admire and enjoy the eighteenth century.” Michael, however, looked very doubtful over his demanded apostasy. “But, never mind,” Mr. Wilmot went on. “When you have read Barbey d’Aurevilly and Baudelaire, Mallarmé, Verlaine, Catulle Mendès and Verhaeren, when the Parnassians and Symbolists have illuminated you, and you become an Interior person, when Aubrey Beardsley and Felicien Rops have printed their fierce debauchery upon your imagination, then you will be glad you have forsaken the eighteenth century. How crude is the actual number eighteen, how far from the passionate mystery of seventeen or the tired wisdom of nineteen! O wonderful nineteenth century, in whose grey humid dusk you and I are lucky enough to live!” “But what about the twentieth century?” asked Michael. Mr. Wilmot started. “Listen, and I will tell you my intention. Two more years have yet to run before that garish and hideous date, prophetic of all that is bright and new and abominably raw. But I shall have fled, how I know not; haply mandragora will lure my weary mind to rest. I think I should like to die as La Gioconda was painted, listening to flute-players in a curtained alcove; or you, Michael, shall read to me some diabolic and funereal song of Baudelaire, so that I may fearfully pass away.”