Bildungsromans; England -- Social life and customs -- Fiction; Illegitimate children -- Fiction
F ROM a world of daisies as big as moons and of mountainous
green hillocks Michael Fane came by some unrealized method of
transport to the thin red house, that as yet for his mind could
not claim an individual existence amid the uniformity of a long
line of fellows. His arrival coincided with a confusion of
furniture, with the tramp of men backwards and forwards from a
cavernous vehicle very dry and dusty. He found himself
continually being lifted out of the way of washstands and
skeleton chests of drawers. He was invited to sit down and keep
quiet, and almost in the same breath to walk about and avoid
hindrance. Finally, Nurse led him up many resonant stairs to
the night-nursery which at present consisted of two square cots
that with japanned iron bars stood gauntly in a wilderness of
oilcloth surrounded by four walls patterned with a prolific
vegetation. Michael was dumped down upon a grey pillow and
invited to see how well his sister Stella was behaving. Nurse’s
observation was true enough: Stella was rosily asleep in an
undulation of blankets, and Michael, threatened by many
whispers and bony finger-shakes, was not at all inclined to
wake her up. Nurse retired in an aura of importance, and
Michael set out to establish an intimacy with the various iron
bars of his cage. For a grown-up person these would certainly
have seemed much more alike than even the houses of Carlington
Road, West Kensington: for Michael each bar possessed a
personality. Minute scratches unnoticed by the heedless adult
world lent variety of expression: slight irregularities
infused certain groups with an air of deliberate consultation.
From the four corners royal bars, crowned with brass,
dominated their subjects. Passions, intrigues, rumours,
ambitions, revenges were perceived by Michael to be seething
below the rigid exterior of these iron bars: even military
operations were sometimes discernible. This cot was guarded by
a romantic population, with one or two of whose units Michael
could willingly have dispensed: one bar in particular, set
very much askew, seemed sly and malignant. Michael disliked
being looked at by anybody or anything, and this bar had a
persistent inquisitiveness which already worried him. ‘Why
does he look at me?’ Michael would presently ask, and ‘Nobody
wants to look at such an ugly little boy,’ Nurse would
presently reply. So one more intolerable question would
overshadow his peace of mind.
Public-domain text, read in full here on John Shaqi.
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