“I’m older than you,” Michael asserted. Stella made no observation, but continued to play, and Michael, now acutely irritated, rushed to the piano and slammed down the lid. Stella must have withdrawn her fingers in time, for there was no sign of any pinch or bruise upon them. However, she began to cry, while Michael addressed to her the oration which for a long time he had wished to utter. “You are silly. You are a cry-baby. Fancy crying about nothing. I wouldn’t. Everybody doesn’t want to hear your stupid piano-playing. Boys at school think pianos are stupid. You always grumble about my humming. You are a cry-baby. What are little boys made of? Sugar and spice and all that’s nice, That’s what little boys are made of. What are little girls made of? Slugs and snails and puppy-dogs’ tails, Ugh! that’s what little girls are made of.” “They’re not,” Stella screamed. “They’re not!” Michael’s perversion of the original rhyme made her inarticulate with grief and rage. “They’re not, you naughty boy!” Michael, contented with his victory, left Stella to herself and her tears. As he hummed his way downstairs, he thought sensuously of the imminent reconciliation, and in about ten minutes, having found some barley-sugar buried against an empty day, Michael came back to Stella with peace-offerings and words of comfort. Miss Carthew arrived on the next morning and the nervous excitement of waiting was lulled. Miss Carthew came through the rain of Valentine Day, and Michael hugged himself with the thought of her taking off her mackintosh and handing it to Gladys to be dried. With the removal of her wet outdoor clothes, Miss Carthew seemed to come nearer to Michael and, as they faced each other over the schoolroom table (for the day-nursery in one moment had become the schoolroom), Michael felt that he could bear not being grown up just for the pleasure of sitting opposite to his new governess.