Bildungsromans; England -- Social life and customs -- Fiction; Illegitimate children -- Fiction
_I’m so glad you’re still enjoying Oxford. I quite agree with you it
would be better for me to wait a little while before I visit you,
though I expect I should behave myself perfectly well. You’ll be glad
to hear that I’ve got rid of this tiresome house. I’ve sold it to a
retired Colonel—such an objectionable old man, and I’m really so
pleased he’s bought it. It has been a most worrying autumn because the
people next door were continually complaining of Stella’s piano, and
really Carlington Road has become impossible. Such an air of living
next door, and whenever I look out of the window the maid is shaking a
mat and looking up to see if I’m interested. We must try to settle on a
new house when you’re back in town. We’ll stay in a hotel for a while.
Stella has had to take a studio, which I do not approve of her doing,
and I cannot bear to see the piano going continually in and out of the
house. There are so many things I want to talk to you about—money, and
whether you would like to go to Paris during the holidays. I daresay we
could find a house at some other time._
_Your loving_
_Mother._
From Stella about the same time, Michael also received a letter.
_My dear old Michael_,
_I seem to have made really a personal success at my concert, and I’ve
taken a studio here because the man next door—a most_ frightful
_bounder—said the noise I made went through and through his wife. As
she’s nearly as big round as the world, I wasn’t flattered. Mother is
getting very fussy, and all sorts of strange women come to the house
and talk about some society for dealing with Life with a capital
letter. I think we’re going to be rather well off, and Mother wants to
live in a house she’s seen in Park Street, but I want to take a house
in Cheyne Walk. I hope you like Cheyne Walk, because this house has got
a splendid studio in the garden and I thought with some mauve brocades
it would look perfectly lovely. There’s a very good_ paneled _room that
you could have, and of course the studio would be half yours. I am
working at a Franck concerto. I’m being painted by rather a nice youth,
at least he would be nice, if he weren’t so much like a corpse. I
suppose you’ll condescend to ask me down to Oxford next term._
_Yours ever,_
_Stella._
_P.S.—I’ve come to the conclusion that mere brilliancy of execution
isn’t enough. Academic perfection is all very well, but I don’t think I
shall appear in public again until I’ve lived a little. I really think
life is rather exciting—unless it’s spelt with a capital letter._
Public-domain text, read in full here on John Shaqi.
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