Bildungsromans; England -- Social life and customs -- Fiction; Illegitimate children -- Fiction
When Avery had hesitatingly embarked upon his expedition to Wedderburn,
Michael thought rather regretfully of his presence and wished he had
been more sympathetic in his reception of the great scheme. Yet perhaps
that was the best way to have begun his own scheme for not being
disturbed by life. Michael thought how easily he might have had to
reproach himself over Lily Haden. He had escaped once. There should be
no more active exposure to frets and fevers. Looking back on his life,
Michael came to the conclusion that henceforth books should give him
his adventures. Actually he almost made up his mind to retire even from
the observation of reality, so much had he felt, all this Christmas
vacation, the dominance of Stella and so deeply had he been impressed
by Prescott’s attitude of inscrutable commentary.
Michael was greatly amused when two or three evenings later he strolled
round to Wedderburn’s rooms to find him and Maurice Avery sitting in
contemplation of about twenty specimen covers of The Oxford
Looking-Glass that were pinned against the wall on a piece of old
lemon-colored silk. He was greatly amused to find that the reconciling
touch of the Muses had united Avery and Wedderburn in a firm
friendship—so much amused indeed that he allowed himself to be
nominated to serve on the obstetrical committee that was to effect the
birth of this undergraduate bantling.
“Though what exactly you want me to do,” protested Michael, “I don’t
quite know.”
“We want money, anyway,” Avery frankly admitted. “Oh, and by the way,
Michael, I’ve asked Goldney, the Treasurer of the O.U.D.S. to put you
up.”
“What on earth for?” gasped Michael.
“Oh, they’ll want supers. They’re doing The Merchant of Venice. Great
sport. Wedders is going to join. I want him to play the Prince of
Morocco.”
“But are you running the Ouds as well as The Oxford Looking-Glass?”
Michael inquired gently.
In the end, however, he was persuaded by Avery to become a member, and
not only to join himself but to persuade other St. Mary’s freshmen,
including Lonsdale, to join. The preliminary readings and the
rehearsals certainly passed away the Lent term very well, for though
Michael was not cast for a speaking part, he had the satisfaction of
seeing Wedderburn and Avery play respectively the Princes of Morocco
and Arragon, and of helping Lonsdale to entertain the professional
actresses who came up from London to take part in the production.
“I think I ought to have played Lorenzo,” said Lonsdale seriously to
Michael, just before the first night. “I think Miss Delacourt would
have preferred to play Jessica to my Lorenzo. As it is I’m only a
gondolier, an attendant, and a soldier.”
Michael was quite relieved when this final lament burst forth. It
seemed to set Lonsdale once more securely in the ranks of the amateurs.
There had been a dangerous fluency of professional terminology in “my
Lorenzo.”
“I’m only a gondolier, an attendant, and a mute judge,” Michael
observed.
Public-domain text, read in full here on John Shaqi.
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