Bildungsromans; England -- Social life and customs -- Fiction; Illegitimate children -- Fiction
There was something consolatory to Michael in the way Stella’s piano
part corrected the extreme yearning of the violin. On ascending notes
of the most plangent desire the souls of the listeners were drawn far
beyond the capacity of their own artistic revelation. It became almost
tragical to watch their undisciplined soaring regardless of the height
from which they must so swiftly fall. Yet when the violin had
thoughtlessly lured them to such a zenith that had the music stopped
altogether on that pole a reaction into disappointed sobs might not
have been surprising, Stella with her piano brought them back to the
normal course of their hopes, seemed to bear tenderly each thwarted
spirit down to earth and to set it back in the lamps and shadows of
this long riverside room, while with the wistfulness of that cool
accompaniment she mitigated all the harshness of disillusion. Michael
looked sharply across at Ayliffe during this rescue and wondered how
often by Stella herself had he been just as gently treated.
The duet came to an end, and was followed by absurd games and absurdly
inadequate refreshments, until almost all together the guests departed.
From the street below fainter and fainter sounded their murmurous talk,
until it died away, swallowed up in the nightly whisper of the city.
Ayliffe stayed behind for a time, but he could not survive Michael’s
too polite “Mr. Ayliffe,” although he did not perhaps realize all the
deadliness of this undergraduate insult. Clarissa went off to bed after
expressing once more her wish that Michael would sit for her.
“Oh, what for? Of course he will, Clarie,” cried Stella.
“Of course I won’t,” said Michael, ruffling.
“What do you want him to sit for?” Stella persisted, paying not the
least regard to Michael’s objection.
“Oh, something ascetic,” said Clarie, staring earnestly into space as
if the pictorial idea was being dangled from the ceiling.
“Just now it was to be something passionate,” Michael pointed out
scornfully. He suspected Clarissa’s courage in the presence of Stella’s
disdainful frankness.
“Ah, perhaps it will be both!” Clarie promised, and “Good night, most
darling Stella,” she murmured intensely. Then with one backward look of
reproach for Michael she walked with rather self-conscious sinuousness
out of the room and up to bed.
“My hat, Stella, where did you pick up that girl? She’s like a
performing leopard!” Michael burst out. “She’s utterly stupid and
utterly second-rate and she closes her eyes for effect and breathes
into your face and doesn’t wear stays.”
“I get something out of all these queer people,” Stella explained.
“New-art flower-vases, I should think,” scoffed Michael. “Why on earth
you wanted to fetch me from Cornwall to look after you in this crowd of
idiots I can’t imagine. I may not be a great pianist in the making, and
I’m jolly glad I’m not, if it’s to make one depend on the flattery of
these fools.”
Public-domain text, read in full here on John Shaqi.
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