Sink or swim? : $b a novel; vol. 1/3Houstoun, Mrs. (Matilda Charlotte)
General
Sink or swim? : $b a novel; vol. 1/3
Houstoun, Mrs. (Matilda Charlotte)
English fiction -- 19th century
“How could I!” mimicked Horace. “How could I what? Why, you little
goose, when shall I make you understand that it is always better to take
(metaphorically speaking, of course) the bull by the horns? You ought to
know _that_ by this time; but, as you don’t, I can only repeat what I
have said fifty times before--that, what with your grimaces and Rhoda’s
tears, you are about the two silliest young women in Christendom.--Now,
Roe dear,” he went on, addressing his eldest sister in a tone of mock
displeasure which, together with the quaint name which he had bestowed
upon the quiet and slightly sentimental girl, set Kate off--no unusual
occurrence--into what Horace called a fit of the giggles,--“now, Roe
dear, what in the world are you crying about now?”
“I wasn’t crying, Horace,” said Rhoda. She was rather a pretty
pale-faced girl, whose tears--for her nerves were weak--came at very
slight provocation to her eyelids. She had wiped one furtively away
while her brother began to “chaff” her about this well-known propensity,
and then was quite ready to say tremulously: “I wasn’t crying, only
everything seems so uncomfortable; and it is so odd, not knowing when
Arthur is to be married. I believe he has told you! Now, has he, Horace?
Don’t be ill-natured;” and both the girls at once set to work to kiss
and coax him.
“Paws off!” cried Horace, laughing. “No, then, he hasn’t--upon my word,
he hasn’t. There! I hate not knowing the truth as much as you do; and I
only wish he was to be married next week.”
“And why?” Kate eagerly exclaimed; “you usen’t to like--”
“_Usen’t!_ What grammar! You’ll want Miss Bates back again if you can’t
speak your mother-tongue better than that.”
“Never mind my mother-tongue,” Kate began impatiently. “I want to be
told--”
“You want to be told a thousand things that you’ve no business to know.
You are both as curious as a couple of magpies; but you may chatter
till midnight without getting a word out of me. I’m off to the stable
for a smoke; so you needn’t bother me any more.”
In spite of the cheerful air and janty manner with which he endeavoured
to conceal his troubles, Horace Vavasour did not smoke on that especial
evening “the pipe of contentment;” nor could the corn-bin on which he
sat be in the smallest degree considered as typical of that well-known
“carpet of hope” on which the lethargic Turk is supposed to take his
ease.
Public-domain text, read in full here on John Shaqi.
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