Sink or swim? : $b a novel; vol. 3/3Houstoun, Mrs. (Matilda Charlotte)
General
Sink or swim? : $b a novel; vol. 3/3
Houstoun, Mrs. (Matilda Charlotte)
English fiction -- 19th century
Honor, afraid of offending her high-born lover, and sincerely hoping
that never--_never_ under less safe and satisfactory circumstances might
a similar scene be enacted, contrived to stammer out the foolish, false,
and guilty assurance,--an assurance that filled the young lover’s heart
with the wildest hopes--the assurance, namely, that her heart was his,
and that in his love she found her dearest, sweetest happiness!
CHAPTER II.
A LOVER FOUND AND LOST.
“I really am at a loss to make up my mind which is the most
extraordinary--the man behaving in this way without encouragement, or
your being so lost to everything that is--ahem!--due to your position in
life as to allow him to think, to hope, that his proposals--_most_
impertinent ones, I must say--_could_ meet with anything but anger and
contempt.”
Lady Millicent was seated on her presidential sofa, in the room
appropriated in Bolton-square to her especial use. It was a dull, dark,
business-looking apartment. The “third drawing-room” it was called, and
in it milady was wont to receive such visitors as clearly were not there
for purposes of mere pleasure, or with the intention of ephemerally
enjoying themselves--men of law, serious men, with faces fraught with
the care that the craving after six-and-eightpences is wont to impress
on the human countenance divine, were seen entering, clearly with a
purpose, the heavy door (white-painted and gilt, but shabby and
tarnished now) that led to milady’s sanctum. It was a room into which
her young daughters rarely intruded; and when, on the morning in
question (it was that of the very day which Honor passed so feverishly
with Arthur Vavasour by her side), Rhoda, poor, timid, nervous Rhoda,
was summoned to an audience with her awe-inspiring mamma, she made her
_entrée_ with a beating heart, and, though she knew not wherefore, with
a strong presentment of evil. The open letter in Lady Millicent’s hand
was scarcely evidence enough to awaken in her mind anything at all
approaching to the truth. Rhoda was as far as the poles from imagining
that the sedate rector of Switcham, the quiet, unpretending young man,
whose “duties” ever seemed so much above his pleasures, could have so
far allowed his mundane feelings, his passions, that were of the “earth,
earthy,” to overpower his well-regulated mind, as to induce him to offer
to the great lady of Gillingham--the patroness of his living, and one
with whom he knew himself to be _not_ a favourite--his humble proposals
for her daughter’s hand.
Public-domain text, read in full here on John Shaqi.
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