Sink or swim? : $b a novel; vol. 3/3Houstoun, Mrs. (Matilda Charlotte)
General
Sink or swim? : $b a novel; vol. 3/3
Houstoun, Mrs. (Matilda Charlotte)
English fiction -- 19th century
“No, ma’am, you are right there,” rejoined her son; “but, unfortunately,
poor Arthur, almost maddened by grief and worry, and believing, as so
many did, that the ‘high legal opinion’ (on which depended your
continuance or otherwise in the disputing of my grandfather’s will)
would be, when given, adverse to his interests, had not moral courage,
or rather his pecuniary embarrassments were too great to admit of any
longer delay; so he has gone, poor dear fellow.” And Horace drew a long
troubled breath, for, like many others, he believed in the reality as
well as the endurance of Arthur’s grief. “He has gone away, poor old
boy, for years, he says; and--and old Dub told me this morning that
Arthur was--a villain!”
He was very young, that warm-hearted Horace, whose admiration of and
love for his elder brother had truly grown with his growth and
strengthened with his strength. For a long hour that morning he had
stoutly fought Arthur’s battles with the old man, who, embittered by
misfortune, and rendered thereby callous to the feelings of others, had
dilated in no measured terms on his son-in-law’s utter want of
principle, his selfishness, his mendacity, and his general and
irretrievable unworthiness. It was in vain that Horace endeavoured to
convince the obstinate and sorely-tried millionaire--the wealthy
merchant-prince, whose gold had been unavailing to purchase an hour of
life for the child of his old age--that Arthur’s offences were less dark
than they appeared, and that excuses might, if sought for _with a will_,
be found even for this self-exiled sinner. To all the arguments, all the
recapitulations of the affectionate brother tending to throw a light on
the manifest disadvantages attendant on poor Arthur’s “raising,” “old
Dub” would only shake his gray head with the mournfullest of dismal
gestures, and with a “Well, well,” which betokened alike a weariness of
spirit and an absence of conviction that irritated Horace, while filling
his heart with a pity beyond the reach of words.
He was very young, as I before said, or not only would these things not
have taken such a strong effect upon his temper and his mind, but it may
be that, after the utterance of the last terrible word, he would not--an
act which he was weak enough to commit--have flung himself upon a
lounging-chair near him, and, burying his face in his hands, have
striven hard, yet ineffectually, to conceal his emotion.
Public-domain text, read in full here on John Shaqi.
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