Sink or swim? : $b a novel; vol. 3/3Houstoun, Mrs. (Matilda Charlotte)
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Sink or swim? : $b a novel; vol. 3/3
Houstoun, Mrs. (Matilda Charlotte)
English fiction -- 19th century
It is unfortunate perhaps, and decidedly suggestive, but so it
undoubtedly is, that beauty leads the wisest amongst us terribly astray
in our judgment both of character and motives. What observer,
dispassionate or otherwise, who looked--were such a privilege granted to
him--at lovely Honor’s face and form, lying indolently, lazily if you
will, upon her narrow couch (the iron bedstead in the Stanwick-street
lodging), would have been able to allow, without infinite regret and
caution, either that she was _wrong_, or the least in the world
deserving of punishment? A creamy complexion, slightly tinged with the
most delicate of rose-colours; a tumbled mass of fairest brown
hair--“off the flax and _on_ the golden,” as Miss Pratt would say; blue
eyes, “languid with soft dreams;” and full crimson lips, moist with the
morning dew of youth and health,--composed a sum of attractions very
decidedly calculated to disarm criticism, and to modify the verdict of
“Guilty” with the strongest recommendations to mercy. “Youth” and
“previous good conduct” were pleas which might be safely urged as
extenuating circumstances in the case of poor Honor Beacham’s feminine
sin of truth-suppressing; and as with her fair face slightly flushed,
and her long brown eyelashes sparkling with indignant tears, she read,
for the second time, a letter which Lydia (alias Polly), cross and out
of breath with the labour of mounting the attic stairs, had just
deposited on the bed, it was easy to perceive that the process of
retribution had already, in some sort, commenced.
That letter, as the reader will have no difficulty in guessing, was the
one mentioned in the conclusion of the last chapter as the happy result
of old Mrs. Beacham’s interference with the connubial relations of her
children. It took the well-meaning woman, as we already know, two hours
in its concoction, and ran as follows:
* * * * *
Public-domain text, read in full here on John Shaqi.
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