Sinks of London Laid Open: A Pocket Companion for the Uninitiated, to Which is Added a Modern Flash Dictionary Containing all the Cant Words, Slang Terms, and Flash Phrases Now in Vogue, with a List of the Sixty Orders of Prime Coves — John Shaqi
Sinks of London Laid Open: A Pocket Companion for the Uninitiated, to Which is Added a Modern Flash Dictionary Containing all the Cant Words, Slang Terms, and Flash Phrases Now in Vogue, with a List of the Sixty Orders of Prime Coves
History
Sinks of London Laid Open: A Pocket Companion for the Uninitiated, to Which is Added a Modern Flash Dictionary Containing all the Cant Words, Slang Terms, and Flash Phrases Now in Vogue, with a List of the Sixty Orders of Prime Coves
Cant; English language -- Slang -- Dictionaries; London (England) -- Description and travel; London (England) -- Social life and customs; Vice
He had a wife; and, as if that was not enough for any man, likewise
had a mistress; and, to show that he was a professed admirer of the
kind of Eve, took hold of his mistress when he entered with one hand,
and waving the other above his head, sung "My love is like the red,
red rose," in a voice at once powerful and sweet. Then taking her upon
his knee struck up "the light, the light guitar," in a style so
exquisitely musical and rich, as fairly to disturb the card-table, and
draw form the whole company a thundering round of applause, with
"Bravo, Bill!"
He appeared to be a creature of great spirit and vivacity, dashed
about, throwing himself into pugilistic attitudes, and striking out,
right and left, at his cronies, in sportive play, using at the same
time the true slang of low, blackguard life; as, with great emphasis,
"I'll ---- into you, your ---- pall!" with a vast deal more of such
high-toned language so appropriate for the gallant of a cadging
house.[1] He fell a capering, singing all the while with great
animation, and beating time most elegantly with heel and toe, and
giving vent to the fulness of his spirits in shouts, as "He hows,"
"the Cadger Lad," "A roving life for me," &c.; and, catching hold of
his wench again, thrust his hand into his bosom--pulled out a handful
of silver; swore, bravadoed,--squirted tobacco juice in the grate, and
boasted of always being able to earn his ten shillings a day, and
thought nothing of picking up a guinea in the same time at a race or
fair.[2]
[Footnote 1: See Glossary at end.]
[Footnote 2: This portrait, with the whole of the work, was written,
and given to the publisher of one of the first magazines of the day,
in November 1834, and the following report appeared in the papers in
February 1835, and which, we think, authenticates pretty clearly the
correctness of our statement. The reader will perceive a likeness.
HATTON GARDEN.
EXTRAORDINARY CASE--A MAN-WOMAN.
A creature in the garb of a man, who at the station-house had given
the name of Bill Chapman, was placed at the bar with one Isabella
Watson, and complained of for being a common cheat and impostor, and
creating a disturbance.
Oakley, inspector of the E division, stated that although the thing
before them, that called itself Bill Chapman, was attired in man's
apparel, he had ascertained that it was a woman.
Mr. Bennett, who was very much surprised, looked steadfastly at the
prisoner and asked her name.
Prisoner (speaking in a rough manner.) "It is Mary Chapman."
Mr. Bennett. "I never saw a figure more like a man, and the voice is
manly."
Oakley. "I have known her at least ten years, and she always appeared
in a dress similar to the one she now wears, namely, a hat,
smock-frock, trousers, or knee-breeches, and until last night I always
supposed her to be a man. She is known all over England as a
ballad-singer and a crier of 'The last dying speeches,' &c."
Public-domain text, read in full here on John Shaqi.
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