Sir Christopher: A Romance of a Maryland Manor in 1644Goodwin, Maud Wilder
History
Sir Christopher: A Romance of a Maryland Manor in 1644
Goodwin, Maud Wilder
Maryland -- History -- Colonial period, ca. 1600-1775 -- Fiction
So the household of St. Gabriel's waited for Neville and his guard to
enter the room, a deep silence hanging over all.
Giles Brent, from his end of the long table, sat gazing at his sister,
and thinking how strangely her smooth, round face and domestic bearing
contrasted with the grim scene around her. It was as if some brown
thrush had been caught up from its nest in the bushes by the wind of
destiny, and suddenly enveloped in the black cloud of a tornado.
Mary Brent kept her eyes steadily fixed upon the portrait of Lord
Baltimore, painted by Van Dyck, and hanging on the wall on the turn of
the stairs.
She studied every detail of his costume,--the small clothes of blue
velvet, coat embroidered in gold, and doublet embroidered in silver,
the open sleeves with their azure lining, the breastplate of blue
inlaid with gold, and the sword-hilt studded with jewels, the powdered
wig that topped the whole, and the cocked hat, its flap looped and held
back with brilliants, which shone bright as real gems.
These seemed real while the figures around her receded from her sight
dim and blurred, wavering like figures in a dream. There was Mistress
Calvert on the settle below the bend of the stairs. Was she really
Elinor Calvert, or a corpse like the one which lay scarcely more white
in the middle of the room?
Elinor herself was almost as doubtful as her cousin whether she really
lived and breathed. It seemed rather as though she had already tasted
the bitterness of death, and now moved about, a pale, miserable ghost
in a land where all was ghastly and miserable. Even Cecil seemed
unreal, and that worried her more than all the rest. In the last three
days the touch of those little arms had in some way lost its power
to comfort, and the childish presence had grown irksome because
it forbade her giving way to the bursts of wild weeping which had
alternated with stony despair.
Just now Cecil was pressing close to her side and whispering in her
ear,--
"Mamma, did Thir Chrithtopher Neville kill the priest? Dost thou think
he did it?"
"Hush, Cecil!"
"But did he?"
"I know not."
"Father White thinks he did it."
Silence on Elinor's part.
"And Couthin Giles thinks so."
Still silence.
"And Couthin Mary thinks so; but I do not."
"And why?"
"Because he promised me a bow and arrowth and he knew thou wouldst not
let me take a gift from a murderer."
The quick stab of the word was intolerable. Elinor thrust the child
away from her side with a swift, tragic gesture; then, at sight of
the angry flush in his cheeks and the grieved wonder in his eyes, she
caught him to her heart again close, and bowed her head over his curls.
Public-domain text, read in full here on John Shaqi.
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