Sir Christopher: A Romance of a Maryland Manor in 1644Goodwin, Maud Wilder
History
Sir Christopher: A Romance of a Maryland Manor in 1644
Goodwin, Maud Wilder
Maryland -- History -- Colonial period, ca. 1600-1775 -- Fiction
The only person who caught the meaning of the action was Peggy Neville,
who sat in a corner a little back of the Governor's chair. Heart reads
heart in crises like these, and sympathy is second sight. Her first
feeling was a quick thrill and a desire to run across the room and
kiss that cold proud face with the swollen eyelids. Then the blood of
the Nevilles, proud every whit as that of the Calverts, surged angrily
back to her heart. "She to dare to doubt him! Why, nobody thinks great
things of me, but I would never desert any one that I cared even the
least little bit about. I'd stick all the closer when people turned
against him, and as for evidence, what is the use of being a woman if
you are going to be influenced by such things as that!"
Oh, little Peggy! women do not own the only minds superior to evidence.
From across the hall a young man is watching every expression of your
face, feeling sure that your brother is innocent because you think
him so--confident that Governor Brent is a cold, hard man, eager to
believe evil of a friend, and vowing that as for him, Romney Huntoon,
his sword, his honor, his life itself are at the service of Christopher
Neville, with whom he has scarcely spoken, and of Christopher's sister
Peggy whom he has known for a matter of ten days.
A silence deeper than before falls on the company as the tramp of
feet is heard at the door and Neville enters between two guards. The
Coroner's inquest is formed after the fashion of the day, Giles Brent
as Chief-Justice and Chief Coroner of the province, under that charter
which in Maryland invested the governor with the _regia potestas_, on
the platform at the end of the hall.
Associated with him by courtesy is the lady of the manor, while on
either side are ranged Councillors Neale and Cornwaleys. All face the
central figure stretched rigid on the bier in the middle of the hall,
and as the prisoner walks the length of the room that lies between him
and the bier, all eyes are fixed upon him. To each person present his
bearing denotes a different thing. It is not beauty alone that is in
the eye of the gazer.
To Peggy Neville that bearing speaks lofty consciousness of innocence.
To Mary Brent it swaggers with the effrontery of brazen guilt.
To Giles Brent the face is an impenetrable mask.
To Elinor Calvert--but how describe the emotions that surge through her
soul, each obliterating the former like waves on a beach of sand!
Her first feeling, as she watched Neville stride up the room, was a
thrill of pride in his imperious personality as he towered taller by
a head than his guard, and in his bearing outranking all present in
courtliness.
Then came a longing to speak out before them all and claim him for her
true love; then, as her glance travelled upward to that pale set face,
the deadly chill of doubt and distrust struck cold upon her heart, and
she bowed her head upon her hands.
Public-domain text, read in full here on John Shaqi.
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