believe this etching to be more remote in execution than the above-described examples, which are, as the productions of a boy of eight years of age, so far wonderful that they are really better drawn and more truly expressive than the work of most adult artists. On the same plate with the sheep’s head in front view is (1) a Donkey, at full length, so to say, _i.e._, standing on all fours, and biting at his leg--a capital study, full of action and spirit; (2) a Donkey and her Foal. On another plate are the heads of a lion and tiger (see the last note), in which the differing characters of the beasts are given with marvellous craft, that would honour a much older artist than the producer. The drawing of the tiger’s whiskers--always difficult things to manage--is admirable in its rendering of foreshortened curves. Then comes a drawing of a young bull, wrought by Edwin Landseer at nine years of age, and etched by his by no means very distant senior brother Thomas; this brute’s walk, the peculiar shouldering, lounging way of his kind, rolling from shoulder to shoulder, is here in perfection; the bull whisks his tail lightly from side to side. Next is another specimen, but on a larger scale than those which are above described. It exhibits an extraordinarily finely drawn bull, the foreshortening and handling of whose form is perfect; his expression is that of a rigid conventionalist--for bulls are not unlike men in these matters of temperament--a thoroughly old-fashioned John Bull. Behind this is a foreshortened view of a horse reclining, and, in the distance of the field, which supplies a landscape-background to the composition, is a goat. The work of the young artist’s tenth year shows great progress to have been made, for he wrought the whole design, and entirely etched the next plate, which represents two groups of cattle placed one above the other on the paper, which is disposed, as artists say, upright-fashion, and of about the size and proportion of a large octavo book. In the lower section is the representation of a ponderous beast, couched at ease, yet with all his strength drawn together by the attitude of resting with his limbs beneath his bulky body; he has downward-pointing horns. He is a surly “_oldish_” bull, who breathes the breath of content in summer, but with possibilities of fury in his irritable moodiness; not a stupid bull, although terrible when exasperated; he is evidently apt to lose his temper on slight occasions. Behind this surly monster stands an intensely stupid brute, one who is evidently given up to all sorts of self-indulgences, and who in every possible fashion spoils himself; his countenance is absolutely besotted; he has a hog-like air, and his very tail hangs heavily straight down from his back; with these is grouped a maternal cow, who is large, if not like Byron’s “Dudu,” “languishing and lazy.”