place. His tail gives expressive signals of excitement and rage, and,
beyond all misunderstanding, indicates his furious desire to get at his
foes. It is but slight comfort to the eager creatures that several of
their enemies are already stretched on the floor, or that a living rat,
half conscious of impending doom, springs and dances at the wires of a
trap near his dead brethren--he is at once confined and fortified in
bars of iron. A maltster’s shovel, birch broom, old cart-harness, traces
of cart-gear, a bottle, and stray wisps of straw, litter the ground and
aid the composition. This composition, as regards the dogs, is worthy of
admiration. The three entirely visible dogs, may be described as
follows: A big white terrier, in whom one fancies the “Brutus” of former
pictures, plunges and “scurries” round the hole where the sunken comrade
is at work; he grovels with his nose near the floor, and thrusts his
head and chest forward in fierce action; his jaws are set, and his
breath goes quickly in and out of his nostrils; his ears are thrown to
the front as if to listen for squeaks in the region of the rafters; his
eyes protrude and glitter with ravenous desire; his fore feet are spread
widely apart, and his hind legs thrust far behind. The _chiaro scuro_ is
disposed so that the white body of this dog is the chief object; the
light falls powerfully on him, so that his colour aids the effect in the
manner of the great masters of _chiaro scuro_--which is much more than
mere “light and shade” in the common sense of that term. Behind,--with a
white mark, like a splash of chalk on the back of his head and between
his ears, his figure coming above that of the last-named animal,--squats
on his haunches a black dog of less demonstrative but equally excitable
temperament; his back is arched in a bow, he quivers, and bends his head
over the searching terrier with an eager gaze that is very finely
expressed. He seems to whimper now and then; but “Brutus,” if it be he,
yelps, snaps, barks, and almost howls in his ardour. One sees that if
the hole were big enough to admit the bigger dog he would swiftly pull
out the pioneer and go in himself, confident in his own resources, in
an emergency like this; but with all this valour he has discretion
enough to know that the hole would never admit a bulky carcass like his
own, and that the sole chance for him consists in the possibility that a
rat may appear at some apparently unguarded crevice, or, delirious with
fear, rush between the legs of the half-buried hunter. Farthest off is a
smaller and younger terrier, who has the air of an amateur or
representative of the “lay-element” of rat-catching.[32] This dog sits
in a formal, affected manner, his ears are uncropped and hang like
lappels[33] quaintly above his head, with no unapt likeness to the
decorations on a cap of a fool of the Middle Ages. This is a younger
dog, and as eager as his fellows, although less impressionable. The joys
Public-domain text, read in full here on John Shaqi.
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