Then the king comforted the knight, and the court laughed loudly at the
tale, and all made accord that the lords and the ladies who belonged to
the Round Table, each hero among them, should wear bound about him a
baldric of bright green[11] for the sake of Sir Gawain. And to this was
agreed all the honour of the Round Table, and he who ware it was
honoured the more thereafter, as it is testified in the best book of
romance.
The end of the tale
That in Arthur’s days this adventure befell, the book of Brutus bears
witness. For since that bold knight came hither first, and the siege and
the assault were ceased at Troy, I wis
Many a venture herebefore
Hath fallen such as this:
May He that bare the crown of thorn
Bring us unto His bliss.
_Amen_
Notes
[0]. Page 2.—_Carol._ Dance accompanied by song. Often mentioned in old
romances.
[1]. Page 4.—_Agravain_, “_à la dure main_.” This characterisation of
Gawain’s brother seems to indicate that there was a French source at
the root of this story. The author distinctly tells us more than
once that the tale, as he tells it, was written _in a book_. M.
Gaston Paris thinks that the direct source was an Anglo-Norman poem,
now lost.
[2]. Page 10.—_If any in this hall holds himself so hardy._ This, the
main incident of the tale, is apparently of very early date. The
oldest version we possess is that found in the Irish tale of the
_Fled Bricrend_ (Bricriu’s feast), where the hero of the tale is the
Irish champion, Cuchulinn. Two mediæval romances, the _Mule sans
Frein_ (French) and _Diu Krône_ (German), again attribute it to
Gawain; while the continuator of Chrétien de Troye’s _Conte del
Graal_ gives as hero a certain Carados, whom he represents as
Arthur’s nephew; and the prose _Perceval_ has Lancelot. So far as
the mediæval versions are concerned, the original hero is
undoubtedly Gawain; and our poem gives the fullest and most complete
form of the story we possess. In the Irish version the magician is a
_giant_, and the abnormal size and stature of the Green Knight is,
in all probability, the survival of a primitive feature. His curious
_colour_ is a trait found nowhere else. In _Diu Krône_ we are told
that the challenger changes shapes in a terrifying manner, but no
details are given.
Public-domain text, read in full here on John Shaqi.
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