"I thought she tried to bring it on?" said the confidante, anxious, above
all things, to be sympathetic.
"Well, she brought him to the Corfields, and let me know she had. I don't
know why she did it. I suppose she wanted to get something out of him.
Ah! _there_ he is!"
And Letty stood up, smiling and beckoning, while Tressady's tall thin
figure made its way along the central passage.
"Horrid House! What made you so late?" she said, as he sat down between
her and Miss Tulloch.
George Tressady looked at her with delight. The shrewish contractions in
the face, which had been very evident to Tully a few minutes before, had
all disappeared, and the sharp slight lines of it seemed to George the
height of delicacy. At sight of him colour and eyes had brightened. Yet
at the same time there was not a trace of the raw girl about her. She
knew very well that he had no taste for _ingenues_, and she was neither
nervous nor sentimental in his company.
"Do you suppose I should have stayed a second longer than I was obliged?"
he asked her, smiling, pressing her little hand under pretence of taking
her programme.
The first notes of a new Brahms quartette mounted, thin and sweet, into
the air. The musical portion of the audience, having come for this
particular morsel, prepared themselves eagerly for the tasting and trying
of it. George and Letty tried to say a few things more to each other
before yielding to the general silence, but an old gentleman in front
turned upon them a face of such disdain and fury they must needs laugh
and desist.
Not that George was unwilling. He was tired; and silence with Letty
beside him was not only repose, but pleasure. Moreover, he derived a
certain honest pleasure of a mixed sort from music. It suggested literary
or pictorial ideas to him which stirred him, and gave him a sense of
enjoyment. Now, as the playing flowed on, it called up delightful images
in his brain: of woody places, of whirling forms, of quiet rivers, of
thin trees Corot-like against the sky--scenes of pleading, of frolic,
reproachful pain, dissolving joy. With it all mingled his own story, his
own feeling; his pride of possession in this white creature touching him;
his sense of youth, of opening life, of a crowded stage whereon his "cue"
had just been given, his "call" sounded. He listened with eagerness,
welcoming each fancy as it floated past, conscious of a grain of
self-abandonment even--a rare mood with him. He was not absorbed in love
by any means; the music spoke to him of a hundred other kindling or
enchanting things. Nevertheless it made it doubly pleasant to be there,
with Letty beside him. He was quite satisfied with himself and her; quite
certain that he had done everything for the best. All this the music in
some way emphasised--made clear.
When it was over, and the applause was subsiding, Letty said in his ear:
"Have you settled about the house?"
Public-domain text, read in full here on John Shaqi.
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