During his earliest days his mother often wept stormily, and there was great antagonism between her and the old nurse, who had also nursed his father. But when he was five years old the nurse suddenly went away, and his mother’s weepings, which had saddened and sometimes frightened him, as she clutched him to her and rocked to and fro over him, ceased, so that he presently forgot them. She did much for him herself that the nurse had done before, with the help of a girl from the village, who became a close friend of his, though not in a way to cause his mother jealousy. Eliza was slow and rather stupid, but she could tell half a dozen stories. She told them in stilted fashion, and never varied the manner, and hardly the words, of her telling. If she did so, he would correct her. By and by she became rather like a dull priest intoning a liturgy, known so well that there was no call to attend to the meeting. He could see after all that himself, and wanted no variations or emotion of hers to get between him and the pictures that her monotonous drone projected on the curtain of his brain. He was the hero of all the stories himself, and carried them far beyond the bounds of the liturgy. As Jack the Giant-killer, he engaged with foes unknown to fairy lore. As the Beast he drew such interest from his mastery over other beasts that his transformation into a Prince with straight black hair was always being postponed, and was finally dropped out of his own story altogether, together with Beauty, who had become somewhat of a meddler with things that she couldn’t be expected to understand. He was Cinderella in the story of that time, because of riding in the coach made out of a pumpkin, and the mice turned into horses, but never felt at home in the character until he turned the story round and gave the leading part to the Prince, with Cinderella’s adventures adapted to male habits and dignity. With Eliza in attendance he sometimes played for hours together in the garden, and he could get away from her if he was careful never to be right out of her sight or hearing. It was then that the drama of the garden and the flowers began, but when it came to an end he returned to the fairy stories. His mother told him stories too at his earnest pleading. But they were never the same twice running and had little point for him. He much preferred Eliza’s rigid version of the classical stories, and the others were all about beautiful girls who married very handsome, noble, rich men, but the men never did anything except love the girls to distraction and give them beautiful presents. There was no ground for his imagination to work on, except in the matter of the presents, and of these he demanded ever growing catalogues, suggesting many additions of his own, so that if his mother remembered these and kept to them, there was some interest to be got out of her stories, but not enough to vie with that of Eliza’s repertoire.