Sir Henry Irving—A Record of Over Twenty Years at the LyceumFitzgerald, Percy
General
Sir Henry Irving—A Record of Over Twenty Years at the Lyceum
Fitzgerald, Percy
Irving, Henry, Sir, 1838-1905
I have before me a curious little criticism of this performance taken
from an old and long defunct journal that bore the name of _The Players_,
which will now be read with a curious interest:
“We all know the ‘Dramatic Reading.’ We have all—at least, all who
have served their apprenticeship to theatrical amusements—suffered
the terrible infliction of the Dramatic Reader; but then with equal
certainty we have all answered to the next gentleman’s call of a ‘Night
with Shakespeare, with Readings, etc.,’ and have again undergone the
insufferable bore of hearing our dear old poet murdered by the aspiring
genius. Thinking somewhat as we have above written the other evening,
we wended our editorial way towards Crosby Hall, where our informant
‘circular’ assured us Mr. Henry Irving was about to read Bulwer’s ‘Lady
of Lyons.’ We asked ourselves, Who is Mr. Henry Irving? and memory,
rushing to some hidden cave in our mental structure, answered—Henry
Irving, oh! yes, to be sure; how stupid! We at once recollected that Mr.
Irving was a gentleman of considerable talent, and a great favourite in
the provinces. We have often seen his name honourably figuring in the
columns of our provincial contemporaries. Now, we were most agreeably
disappointed on this present occasion; for instead of finding the
usual conventional respectable-looking ‘mediocrity,’ we were gratified
by hearing the poetical ‘Lady of Lyons’ poetically read by a most
accomplished elocutionist, who gave us not only words, but that finer
indefinite something which proves incontestably and instantaneously that
the fire of genius is present in the artist. It would be out of place
now to speak of the merits of the piece selected by this gentleman,
but the merits appeared as striking and the demerits as little so as
on any occasion of the kind in our recollection. Claude’s picture of
his imaginary home was given with such poetic feeling as to elicit a
loud burst of approval from his hearers, as also many other passages
occurring in the play. The characters were well marked, especially
Beauseant and Madame Deschappelles, whilst the little part of Glavis
was very pleasingly given. Mr. Irving was frequently interrupted by the
applause of his numerous and delighted audience, and at the conclusion
was unanimously called to receive their marks of approval.” It was at
this interesting performance that Mr. Toole, as he tells us, first met
his friend.
Public-domain text, read in full here on John Shaqi.
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