Sir Henry Irving—A Record of Over Twenty Years at the LyceumFitzgerald, Percy
General
Sir Henry Irving—A Record of Over Twenty Years at the Lyceum
Fitzgerald, Percy
Irving, Henry, Sir, 1838-1905
But his eyes were even now straying from his desk to the stage. He was
constantly reading plays and poetry, and seeking opportunity for practice
in the art in which he felt he was destined so to excel.
At this time, about 1853, the late Mr. Phelps’ intelligent efforts, and
the admirable style in which he presented classical dramas, excited
abundant interest and even enthusiasm among young men. Many now look back
with pleasure to their pilgrimages to the far-off Sadler’s Wells Theatre,
where such an intellectual entertainment was provided and sustained with
admirable taste for many seasons. What was called “The Elocution Class”
was one of the results. It was directed by Mr. Henry Thomas with much
intelligence; his system was to encourage his pupils to recite pieces
of their own selection, on which the criticisms of the listeners were
freely given and invited. “On one evening,” says one of Irving’s old
class-fellows, “a youth presented himself as a new member. He was rather
tall for his age, dressed in a black suit, with what is called a round
jacket, and a deep white linen collar turned over it. His face was very
handsome, with a mass of black hair, and eyes bright and flashing with
intelligence. He was called on for his first recitation, and fairly
electrified the audience with an unusual display of elocutionary and
dramatic intensity.” The new member was Henry Irving. By-and-by the
elocution class was moved to the Sussex Hall, in Leadenhall Street, when
something more ambitious was attempted in the shape of regular dramatic
performances. The pieces were chiefly farces, such as ‘Boots at the
Swan,’ or ‘Little Toddlekins,’ though more serious plays were performed.
It was remarked that the young performer was invariably perfect in his
“words.” In spite of his youth he gave great effect to such characters as
Wilford in ‘The Iron Chest,’ and others of a melodramatic cast. A still
more ambitious effort was Tobin’s ‘Honeymoon,’ given at the little Soho
Theatre with full accompaniments of scenery, dresses, and decoration; and
here the young aspirant won great applause.
Public-domain text, read in full here on John Shaqi.
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