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[Illustration]
THREE HUNDRED THINGS A BRIGHT BOY CAN DO
_by_ MANY HANDS
_Large Crown 8vo, cloth. 6/- net._
It is evident that many hands make light the work—in this case many hands
have succeeded in making bright _this_ work. The volume—a good, big,
strong one of 440 pages—is uniform in style with _Three Hundred and One
Things a Bright Girl Can Do_.
The boys have no reason for worrying because the girls have one more
thing to do (a woman’s work is never done, anyway) for herein they will
find treasure in bucketsful. Training; gymnastics; walking, running
and jumping; hockey and Indian clubs; swimming, rowing and water-polo;
paperchasing, football, golf and boxing; skating; angling; canoeing
and yachting; butterfly and moth collecting; aquariums; outdoor games;
gardening; drawing and painting; ventriloquism; magic and conjuring;
keeping pets; fireside amusements; experimenting and science; things a
boy can make—all this and more dealt with by expert authors who know what
boys want to do. This book ought to be called “The Boy’s Golden Treasury
of What to Do—and How to Do It.”
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[Illustration]
HOBBIES FOR BOYS
_by_ JACQUES REINDORP
_Demy 8vo, cloth. 5/- net._
An ideal present for any boy, especially the mechanically-minded
youngster. A few boys from “The Toolhouse Club” build their clubroom,
and proceed to do some really interesting things: light the clubhouse
with electricity, make a wireless set, phantascope, a telephone, do
some wood-carving; but, best of all, they build a full-size boat from
beginning to end, and finally go on voyages of exploration up their river.
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[Illustration]
GODS OF MODERN GRUB STREET
_by_
A. ST. JOHN ADCOCK
_Thirty-two Portraits by_ E. O. HOPPÉ
_Crown 8vo, cloth. 7/6 net._
Everyone is curious to know how the heights of Mount Olympus have been
gained, and especially is this interest aroused in the case of our
contemporary novelists, poets and dramatists. Often they are but a name,
a nebulous entity emerging out of our enjoyment of their works. Such
healthy curiosity is satisfied by this book, which makes a double appeal,
the photographs accompanying the essays creating an atmosphere of very
real intimacy. The name of the well-known author and critic, Mr. A. St.
John Adcock, on the title page is ample warrant that the essays are
thoroughly critical and informing, but their chief aim is to complement
each portrait with a sketch of the sitter’s personality, to tell the
story of his career and indicate to what extent the facts of his life
have influenced his outlook and his work:
Public-domain text, read in full here on John Shaqi.
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