“A delicate pallor is the mode, Hector,” smiled Sir John. “But what
brings you to Paris?”
“Aye—what, John?” retorted Sir Hector, with a dour shake of the head.
“Who but yourself! What’s all this I’m hearing concerning ye, John?”
“Evil beyond a doubt, Hector—evil, I’ll wager. But ’tis no reason you
should stand and scowl when you might sit and smile like the old friend
you are——”
“Aye, always your friend, lad, if ’twere only for your father’s sake!”
“And mine also, I hope, Hector?”
“Aye, John, though you’re no the man your father was!”
“I know it, Hector.”
“And ’tis memory o’ him and the promise I made him to be ever mindful o’
your welfare hath brought me these weary miles to Parus——”
“And since you are here, you shall stay with me, Hector. Egad, ’twill be
like old times!”
“No, no, John,” sighed MacLean, glancing round the luxurious apartment;
“you’ve grown too fine for me, these days! My dusty claes wad foul your
dainty chairs and silken cushions. No, no, lad, you’re become too grand a
gentleman for a poor, rough, old soldier——”
“Tush and a fiddlestick!” exclaimed Sir John, forcing him down into the
nearest chair. “My home is yours whenever you will, Hector.”
“Hame, John?” retorted MacLean. “Hame, d’ye call it? Look at this
room—all silken fripperies like a leddy’s boudoir.... And talkin’ o’
ladies—look up yonder!”—and he stabbed a bony finger at the painted
ceiling where nude dryads sported against a flowery background. “Aye
... obsairve ’em!” snorted MacLean, forsaking precise English for broad
Scots—a true sign of mental perturbation. “Gude sakes, regaird yon
painted besoms wi’ ne’er a clout tae cover ’em—’tis no’ a sicht for
decent eyes!”
“They were done by a famous painter, Hector, and represent the three
Graces——”
“Dis-graces, I ca’ ’em! Man, they’re ... fair owerpowerin’!”
“Then don’t heed ’em, Hector; regard me instead.”
“Yourself, is it?” sighed MacLean. “O man, there’s enough o’ lace an’
broidery aboot ye tae rig oot a’ three o’ y’r dis-graces frae top tae
tae. Ah, Johnnie lad, when I obsairve a’ y’r finery o’ claes an’ mind hoo
y’r father was dressed the day he panted his life oot in my arrms wi’ a
French bayonet in his wame ... an auld tattered sairvice coat.... Aweel,
aweel, he was a man, John ... dead before you were old enough to ken him,
mair’s the peety ... aye, mair’s the peety. An’ to-day, lad, here’s me
wi’ ane fut i’ the grave, and here’s yersel’ vera prone tae a’ manner o’
follies an’ sic by reason as you’re wilfu’ and over-young——”
“I’m twenty-seven, Hector!”
“Aye, a wilfu’ bairn, John, and a’m an auld man ill able tae cope wi’ ye,
laddie, bein’ vera feeble and bowed wi’ years.”
“Sink me, Hector, but you’re strong as a horse and straight as your
sword, and can’t be a day older than fifty-five or six——”
“Feefty-ane, John, fifty-one, whateffer! But I was ever a quiet, plain,
simple body tae follow the skirl o’ the war-pipes ... battle, skirmish
an’ siege ... juist a puir, God-fearin’ soger-body——”
Public-domain text, read in full here on John Shaqi.
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