Alma-Tadema, Lawrence, 1836-1912 -- Criticism and interpretation
[Frontispiece: AN EARTHLY PARADISE. ("ALL THE HEAVENS OF HEAVEN IN
ONE LITTLE CHILD.")]
Bell's Miniature Series of Painters
SIR LAWRENCE
ALMA TADEMA
R. A.
BY
HELEN ZIMMERN
LONDON
GEORGE BELL & SONS
1902
CHISWICK PRESS: CHARLES WHITTINGHAM AND CO.
TOOKS COURT, CHANCERY LANE, LONDON.
TABLE OF CONTENTS
Life of the Artist
The Work of Alma Tadema
The Art of Alma Tadema
Our Illustrations
List of the Principal Pictures by Alma Tadema, with Owners' Names
List of the Principal Portraits painted by Alma Tadema
LIST OF ILLUSTRATIONS
An Earthly Paradise. ("All the Heavens of Heaven in one little
child") _Frontispiece_
A Reading from Homer
At the Shrine of Venus
"Ave Caesar! Iò Saturnalia!"
Spring
An Audience at Agrippa's
Sappho
The Coliseum
All the illustrations are reproduced by special permission
of the Berlin Photographic Company.
LIFE OF
SIR LAWRENCE ALMA TADEMA
Laurens Alma Tadema was born on January 8th, 1836, at Dronryp, a
little town in the very heart of the Frisian province of Holland.
Hence by birth Tadema is Dutch, though by residence and
naturalization he is now an Englishman. His Dutch birth, as we shall
see later, was not without significant effect upon the development
and character of his art. The father, Pieter Tadema, was an
intelligent lawyer with a pronounced taste for music. Unfortunately,
while the young Laurens was still a baby, this parent died, and his
education and upbringing were left entirely in the hands of the
mother. A woman of unusual capacity, she found herself at an early
age with four children upon her hands--two, a girl and our painter,
being her own offspring, and two her husband's by a previous
marriage. The means at her disposal were small; but undaunted, she
put herself to fight single-handed the battle of life, and with such
success, that by her unassisted efforts she was able to place all her
children well. Laurens, her youngest, was also something of her
darling, and even as a child he realized all his mother was doing on
her children's behalf. To her early example no doubt are due his
great powers of perseverance, his undaunted application, his
high-minded sense of duty.
From the very first his favourite plaything was a pencil and paper;
he drew as by instinct. A family tradition survives to the effect
that before he was five years old, Laurens had corrected an error in
a drawing-master's design. Nature herself, therefore, seems to have
pointed out his future career. But so the mother and guardians did
not think. Art was regarded in those days as a profession which
savoured of a discreditable character, and certainly not as one that
could be rendered lucrative. It was therefore resolved that Laurens
should follow in his father's footsteps.
Public-domain text, read in full here on John Shaqi.
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