Alma-Tadema, Lawrence, 1836-1912 -- Criticism and interpretation
Speaking on this theme one day Tadema remarked, "Of what use is it to
try and graft a branch laden with fruit upon a sapling. If the
sapling has no trunk how is it possible to effect a graft? Rubens
followed the right principle, and so after having extracted from
foreign travel the best it could give he still remained Rubens. But
what would have happened if he had undertaken his journey
prematurely, that is to say before the artist inside him was fully
developed?"
On another occasion Alma Tadema expressed his views on the same
subject: "It is my belief that an art student ought not to travel.
When once he has become an artist, conscious of his own aim, of his
own wants, he will certainly profit by seeing the works of the great
masters, because he will then be able to understand them, and can
then, if necessary, appropriate such things as may appear useful to
him. With one or two exceptions the Prix de Rome men are not the
foremost of their day. Meissonier, Gerome, van Leys, remained at
home till they had become consummate artists. Rembrandt never left
Amsterdam, and Rubens, when travelling through Italy, made some
sketches after Lionardo da Vinci which might pass as original Rubens,
because Rubens was already Rubens when he did them. Vandyck and
Velasquez travelled when they were already Vandyck and Velasquez, but
not before."
The great picture dealer in those early days of Alma Tadema's art
life was the Frenchman, M. Gambart, "Prince Gambart," as he used to
be called in playful irony, for it was he who controlled and
regulated the picture market of Europe, to the immense benefit of his
own pocket. It is but fair, however, to add that he was a generous
as well as a discerning dealer. When he was visiting any city in his
commercial capacity, the whisper "Gambart is here!" would run round
all the studios, and many a plot did unknown young artists lay in
order to wile him into their workshops, and keen was the
disappointment if the great man left the city after visiting only the
studios of one or two of the most noted men, ignorant of all the
schemes and plans that had been laid to entrap him.
Public-domain text, read in full here on John Shaqi.
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