Alma-Tadema, Lawrence, 1836-1912 -- Criticism and interpretation
whose wall decorations consist in panels painted for the artist by
his friends, to the low-lying dining-room, looking upon the garden
and shaded by the great tree which it is Tadema's delight to watch in
its leaf unfolding, its full summer verdure and its winter gauntness,
all is beautiful, all is sympathetic, and all is the result of an
ardent appreciation of the artistic possibilities of the most humble
objects of domestic life.
Through all the rooms are scattered portraits of its beautiful women
inmates, here a statue of Lady Alma Tadema, there a window into whose
delicately coloured panes are fashioned the likenesses of the quaint
little girls who have now grown to women, outside under the window of
these same daughters' room is a beautiful bit of sculptured frieze
bearing the interwoven tulips of Holland, lilies of France, and
English roses.
The most frequent guest finds continual surprises in this house whose
every accessory is as carefully conceived as one of the details of
its master's pictures.
Holland, Greece, London and Rome have all contributed their quota to
render this house _sui generis_, and once we have passed the postern
gate that leads from Grove End Road into the garden we instinctively
feel ourselves incorporated into another world, another clime, and
London and its squalor, its fogs and cold, are forgotten for a time.
It is in this congenial _milieu_ that the artist works, a _milieu_
helpful and suggestive to the special character of his art. His life
since his removal to England has been uneventful. The saying, "Happy
those who have no history" might be applied to Tadema. Hard work,
persistent study, unremitting efforts after ever greater perfection
of style and treatment, sum up Alma Tadema's artistic existence.
[Illustration: A READING FROM HOMER.]
He is essentially a sociable man, a lover of his kind. His work is
only interrupted by visits from friends, by weekly afternoon and
evening receptions, so charming that the entrée is greatly coveted,
by the claims upon his time as Professor at the Royal Academy and
member of the Council; demands all of which he fulfils with his
characteristic strenuousness and high sense of duty. In 1876 he
became an Associate Member of the Royal Academy, and in 1879 a Royal
Academician. In 1899 he received the well-merited honour of
knighthood at the hands of Queen Victoria.
Public-domain text, read in full here on John Shaqi.
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