Sir Robert's Fortune: A NovelOliphant, Mrs. (Margaret)
General
Sir Robert's Fortune: A Novel
Oliphant, Mrs. (Margaret)
Fiction
A highland moor is in itself a beautiful thing. When it is in full bloom
of purple heather, with all those breaks and edges of emerald green
which betray the bog below, with the sweet-scented gale sending forth
its odor as it is crushed underfoot, and the yellow gorse rising in
broken lines of gold, and here and there a half-grown rowan, with its
red berries, and here and there a gleam of clear dark water, nothing can
be more full of variety and the charm of wild and abounding life. But
when the sky is gray and the weather bleak, and the heather is still in
the green, or dry with the gray and rustling husks of last year’s bloom;
when there is little color, and none of those effects of light and shade
which make a drama of shifting interest upon the Highland hills and
lochs, all this is very different, and the long sweep of wild and broken
ground, under a low and dark sky, becomes an image of desolation instead
of the fresh and blooming and fragrant moor of early autumn. Dalrugas
was a tall, pinched house, with a high gable cut in those rectangular
lines which are called crow steps in Scotland, rising straight up from
the edge of the moor. The height and form of this gave a parsimonious
and niggardly look--though the rooms were by no means contemptible
within--which was increased by the small windows pierced high up in the
wall. There was no garden on that side, not so much as the little plot
to which even a cottage has a right. Embedded within the high,
sharp-cornered walls behind was a kitchen-garden or kale-yard, where the
commonest vegetables were grown with a border of gooseberries and a few
plants of sweet-william and appleringie; but this was not visible to
give any softness to the prospect. The heather came up uncompromisingly,
with a little hillock of green turf here and there, to the very walls,
which had once been whitewashed, and still in their forlorn dinginess
lent a little variety to the landscape; but this did but add to the
cold, pinched, and resistant character of the house. It looked like a
prim ancient lady, very spare, and holding her skirts close round her in
the pride of penury and evil fortune. The door was in the outstanding
gable, and admitted directly into a low passage from which a spiral
stair mounted to the rooms above. On the ground-floor there was a low,
dark-pannelled dining-room and library full of ancient books, but these
rooms were used only when Sir Robert came for shooting, which happened
very rarely. The drawing-room upstairs was bare also, but yet had some
lingerings of old-fashioned grace. From the small, deep-set, high
windows there was a wide, unbroken view over the moor. The moor
stretched everywhere, miles of it, gray as the low sky which hung over
it, a canopy of clouds. The only relief was a bush of gorse here and
there half in blossom, for the gorse is never wholly out of blossom, as
every-body knows, and the dark gleam of the water in a cutting, black as
the bog which it was meant to drain.
Public-domain text, read in full here on John Shaqi.
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