Scott's criticism of ballad style probably suffered from his interest in modern imitations of ballads. Perhaps also the real quality of ancient popular poetry was a little obscured for him by his belief that it was written by professional or semi-professional poets. If he wrote _Kinmont Willie_, he succeeded in catching the right tone better than anyone since him has been able to do, but even in this poem there are turns of phrase that remind one of the _Lay of the Last Minstrel_ rather than of the true folk-song.[69] After his first attempts at versifying he received from William Taylor, of Norwich, who had made an earlier translation of Buerger's _Lenore_, a letter of hearty praise intermingled with very sensible remarks about the tendency in some parts of Scott's _Chase_ toward too great elaboration.[70] Scott's answer was as follows: "I do not ... think quite so severely of the Darwinian style, as to deem it utterly inconsistent with the ballad, which, at least to judge from the examples left us by antiquity, admits in some cases of a considerable degree of decoration. Still, however, I do most sincerely agree with you, that this may be very easily overdone, and I am far from asserting that this may not be in some degree my own case; but there is scarcely so nice a line to distinguish, as that which divides true simplicity from flatness and _Sternholdianism_ (if I may be allowed to coin the word), and therefore it is not surprising, that in endeavouring to avoid the latter, so young and inexperienced a rhymer as myself should sometimes have deviated also from the former."[71] This was Scott's earliest stage as a man of letters, and he evidently learned more about ballads later. But there appears in much of his criticism on the subject a limitation which may be assigned partly to his time, and partly, no doubt, to the fact that he was a poet and could not forget all the sophistications of his art.