Flower, William Henry, 1831-1899; Zoologists -- Great Britain -- Biography
Of Flower’s hereditary interest in the crusade against tight
bearing-reins, and his official connection with the Anti-Bearing-Rein
Association, sufficient mention has been already made in the first
chapter. It will likewise be unnecessary in this place to do more than
mention his _Diagrams of the Nerves of the Human Body_ published in 1861,
to his “Supplement to the Catalogue of the Pathological Series in the
Museum of the Royal College of Surgeons,” issued in 1863, and to certain
articles on surgical subjects contributed by him at an early portion of
his career. All these, coupled with the practical experience he gained
during his Crimean service, indicate, however, that had Sir William
decided to devote his energies and talents to surgery as a permanent
occupation, there is little doubt he would have risen to high eminence in
that profession.
The little work entitled _Fashion in Deformity_, is based on a Friday
Evening lecture at the Royal Institution, delivered on 7th May 1880,
and first published in the _Proceedings_ of the Institution for the
same year. In its separate, and more fully illustrated form, it was
issued in 1881. This is certainly one of Flower’s most original efforts,
touching upon ground much of which has received but little notice from
either earlier or later writers. The subjects discussed include the
origin of fashion; mutilations of domesticated animals by man for the
sake of fashion; fashion in hair and in finger-nails; tattooing; fashion
in noses, ears, lips, teeth, and head, the latter being illustrated by
the curious custom prevalent among certain widely sundered races of
forcibly compressing the cranium in infancy by means of bandages, so as
to permanently modify and alter its contour to a greater or less degree.
Analogous to this compression of the head is the crippling by bandages of
the feet of Chinese female infants, which is described in some detail.
But the author is of opinion that European nations are scarcely less to
blame in the matter of distorting the feet for the sake of fashion; and
pointed-toed and high-heeled boots and shoes come in for his most severe
condemnation. Neither, as mentioned in the first chapter, was he less
scathing in his diatribes against the corset and tight-lacing. That the
last-mentioned article of female attire is likewise charged in certain
instances with being the inducing cause of cancer was however probably
unknown to him.
That these strictures against the prevalent fashions of our own days
had little or no practical result (certainly none in the case of the
female sex), may be taken for granted. The work has, however, a very
considerable amount of interest as illustrating a number of instances of
the manner in which uncivilised nations modify and mutilate various parts
of the body for the sake of what they are pleased to regard as ornament,
or fashion; and is therefore a valuable contribution to ethnology.
Public-domain text, read in full here on John Shaqi.
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