Flower, William Henry, 1831-1899; Zoologists -- Great Britain -- Biography
In another mooted change, Sir William (as it lay entirely in the
Department under his own special control) was, however, more successful.
Previously it had been the practice in the museum to separate the
skeletons and skulls and horns of mammals from the mounted skins, placing
the former in a gallery by themselves, known as the Osteological Gallery.
As a result of this, if a visitor wanted to ascertain the peculiarities
of the skeleton of any mammal of which the skin was exhibited, he had
to mount to the gallery above, and on his arrival there, very probably
forgot the essential features of the skin. One of the first resolves in
connection with the rearrangement was to do away with the Osteological
Gallery altogether, and to place a certain proportion of the skeletons
and skulls in juxtaposition with, or near by, the stuffed skins.
Another feature of the old method of exhibition in vogue in the museum
was the crowding together of a vast number of specimens, good, bad, and
indifferent (mostly either the second or third), many of which were
duplicates, in such a manner that the great majority could scarcely be
seen at all, while the effect of those that were more or less visible
was marred and obscured by the adjacent specimens. To add to this
unsatisfactory state of affairs was the bad condition—due either to
age, to bad taxidermy, or both combined—of the bulk of the specimens.
Moreover, by some inconceivable Vandalism, dating apparently from a
very remote epoch in the museum’s history, every specimen was mounted
on a stand of polished sycamore, the effect of which was to mar even a
first-class specimen of taxidermy. When to the above is added the fact
that, beyond the scientific and in most cases also the popular name of
the species, nothing in the way of indicating the serial position of
the various groups was attempted, while all that was done in the way of
descriptive labels was the suspension here and there of frames containing
extracts from the “Guide” to the gallery, it may be imagined that the
state of the collection was very far indeed behind the Director’s idea of
what it should be. Moreover, although in the case of the smaller animals
a systematic arrangement was followed, the cases containing the larger
species were disposed without any reference to the systematic position of
the latter.
In regard to such matters the Director had, in the address quoted,
already expressed his own views in no uncertain tone, as is evident from
the following passage relating to the arrangement of specimens in the
public galleries:—
Public-domain text, read in full here on John Shaqi.
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