Chicago (Ill.) -- Fiction; Didactic fiction; Mistresses -- Fiction; New York (N.Y.) -- Fiction; Young women -- Fiction
Into this important commercial region the timid Carrie went. She walked
east along Van Buren Street through a region of lessening importance,
until it deteriorated into a mass of shanties and coal-yards, and
finally verged upon the river. She walked bravely forward, led by an
honest desire to find employment and delayed at every step by the
interest of the unfolding scene, and a sense of helplessness amid so
much evidence of power and force which she did not understand. These
vast buildings, what were they? These strange energies and huge
interests, for what purposes were they there? She could have understood
the meaning of a little stone-cutter's yard at Columbia City, carving
little pieces of marble for individual use, but when the yards of some
huge stone corporation came into view, filled with spur tracks and flat
cars, transpierced by docks from the river and traversed overhead by
immense trundling cranes of wood and steel, it lost all significance in
her little world.
It was so with the vast railroad yards, with the crowded array of
vessels she saw at the river, and the huge factories over the way,
lining the water's edge. Through the open windows she could see the
figures of men and women in working aprons, moving busily about. The
great streets were wall-lined mysteries to her; the vast offices,
strange mazes which concerned far-off individuals of importance. She
could only think of people connected with them as counting money,
dressing magnificently, and riding in carriages. What they dealt in, how
they laboured, to what end it all came, she had only the vaguest
conception. It was all wonderful, all vast, all far removed, and she
sank in spirit inwardly and fluttered feebly at the heart as she thought
of entering any one of these mighty concerns and asking for something to
do--something that she could do--anything.
CHAPTER III
WE QUESTION OF FORTUNE: FOUR-FIFTY A WEEK
Public-domain text, read in full here on John Shaqi.
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