Sister Dolorosa, and Posthumous FameAllen, James Lane
Religion
Sister Dolorosa, and Posthumous Fame
Allen, James Lane
Kentucky -- Social life and customs -- Fiction
But Nicholas had scarcely heard her. His eyes had become riveted upon
her hand, which rested on the marble, as white as though grown out of it
under the labours of his chisel.
"My lady," he said, with the deepest respect, "will you permit me to
look at your hand? I have carved many a one in marble, and studied many
a one in life; but never have I seen anything so beautiful as yours."
He took it with an artist's impetuosity and bent over it, laying its
palm against one of his own and stroking it softly with the other. The
blood leaped through his heart, and he suddenly lifted it to his lips.
"God only can make the hand beautiful," he said.
Displaced by her arm which he had upraised, the light fabric that had
concealed her figure parted on her bosom and slipped to the ground. His
eyes swept over the perfect shape that stood revealed. The veil still
concealed her face. The strangely mingled emotions that had been
deepening within him all this time now blended themselves in one
irrepressible wish.
"Will you permit me to see your face?"
She drew quickly back. A subtle pain was in his voice as he cried--
"O my lady! I ask it as one who has pure eyes for the beautiful."
"My face belongs to my past. It has been my sorrow; it is nothing now."
"Only permit me to see it!"
"Is there no other face you would rather see?"
Who can fathom the motive of a woman's questions?
"None, none!"
She drew aside her veil, and her eyes rested quietly on his like a
revelation. So young she was as hardly yet to be a woman, and her beauty
had in it that seraphic purity and mysterious pathos which is never seen
in a woman's face until the touch of another world has chastened her
spirit into the resignation of a saint. The heart of Nicholas was wrung
by the sight of it with a sudden sense of inconsolable loss and longing.
"O my lady!" he cried, sinking on one knee and touching his lips to her
hand with greater gentleness. "Do you indeed think the beauty of a woman
so soon forgotten? As long as I live, yours will be as fresh in my
memory as it was the moment after I first saw it in its perfection and
felt its power."
"Do not recall to me the sorrow of such thoughts." She touched her
heart. "My heart is a tired hour-glass. Already the sands are wellnigh
run through. Any hour it may stop, and then--out like a light! Shapeless
ashes! I have loved life well, but not so well that I have not been able
to prepare to leave it."
She spoke with the utmost simplicity and calmness, yet her eyes were
turned with unspeakable sadness towards the shadowy recesses of the
room, where from their pedestals the monumental figures looked down upon
her as though they would have opened their marble lips and said, "Poor
child! Poor child!"
"I have had my wish to see you and to see this place. Before long some
one will come here to have you carve a monument to the most perishable
of all things. Like the poor mother who had no wish to be
remembered----"
Public-domain text, read in full here on John Shaqi.
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