Siwa : $b the oasis of Jupiter AmmonBelgrave, Charles Dalrymple, Sir
History
Siwa : $b the oasis of Jupiter Ammon
Belgrave, Charles Dalrymple, Sir
Siwah Oasis (Egypt)
On the third day the presents from the girl’s family arrive:
carved wooden chests, finely made baskets which have taken several
months to complete, earthenware cooking pots and supplies of sugar
and foodstuffs. The money which was given to the girl at the spring
of Tamousy is counted again, and each of the donors is presented with
some doves, rabbits or chickens, in proportion to the amount which
they gave. Among the Arabs, and especially among the Berbers of the
oases in southern Morocco, an excessive shyness and bashfulness exists
between the bridegroom and his mother-in-law and all the bride’s
near relations. This avoidance and aversion to the wife’s relatives
may be another survival of the idea of marriage by conquest, but in
Siwa one does not find it to such an extent as in other places. These
festivities are only celebrated by the wealthier natives, and only
when the girl is being married for the first time. Later marriages
are quieter affairs, with nothing more than a little dancing, a
free distribution of “lubki” and perhaps one sheep cooked for
the guests.
When a Siwan dies his widow is expected to be “ghrula,” that is
in mourning for a month and a half, but the custom has slackened now
and most women marry again as soon as they get the chance. During the
forty-five days the woman dresses in white and keeps to her house,
only going out in the evening after sunset. She lives plainly, eating
no meat and wearing no jewellery. On the last day of her seclusion
the town-crier, accompanied by a boy beating a drum, announces in the
town that the widow of So-and-So will proceed on the following morning
to a certain spring, having completed her period of mourning. On the
next morning a number of boys run through the streets calling out the
same announcement and warning the people by what road she will pass,
in order that they can keep to their houses and avoid seeing her. When
she leaves her house some of her relations go up to the roof and again
call out the warning. At noon the widow, with her hair hanging loose,
her face uncovered, wearing a white robe and no ornaments, walks down
to one of the springs and bathes there. Anybody who meets or sees
her on the way is supposed to incur very bad luck indeed. After this
Lady Godiva-like progress, she hurries back to her house, puts on her
ordinary clothes, oils and dresses her hair and invites a number of her
women friends to a feast. She then begins to hope for another husband.
Public-domain text, read in full here on John Shaqi.
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