Six Centuries of English Poetry: Tennyson to ChaucerBaldwin, James
General
Six Centuries of English Poetry: Tennyson to Chaucer
Baldwin, James
English poetry
This poem, composed in 1785, is written partly in the Scottish dialect,
partly in English. The livelier passages are in the poet's vernacular;
the loftier or more solemn parts in the language of books. This
distinction was doubtless made because Burns disliked to treat his
higher themes in a merely colloquial manner, fearing to belittle them by
so doing. The household described was probably that of the poet's own
father; it was at least a typical Scotch peasant's household, with which
no one was more familiar. Gilbert Burns, in a letter to Dr. Currie,
says: "Although the 'Cotter' in the Saturday Night, is an exact copy of
my father in his manners, his family devotions, and exhortations, yet
the other parts of the description do not apply to our family. None of
us ever went 'At service out amang the neibors roun'.' Instead of our
depositing our 'sair-won penny-fee' with our parents, my father labored
hard, and lived with the most rigid economy, that he might be able to
keep his children at home."
The influence of Gray and Goldsmith is very apparent in more than one
passage in this poem.
"Robert had frequently remarked to me," said his brother, "that there
was something particularly venerable in the phrase, 'Let us worship
God,' used by a decent, sober head of a family introducing family
worship. To this sentiment of the author, the world is indebted for 'The
Cotter's Saturday Night.' The hint of the plan and title of the poem is
taken from Ferguson's 'Farmer's Ingle.'"
1. =Cotter.= "One who inhabits a cot, or cottage, dependent on a
farm."--_Jamieson._
2. =R. Aiken.= A friend with whom Burns had been brought into contact
during the Old and New Light Controversy.
3. See Gray's "Elegy in a Country Churchyard," eighth stanza.
4. =lays.= Songs; probably from the same root as the German _lied_. The
word was originally applied to a form of elegiac French poetry, much
imitated by the English.
5. =train.= A favorite word with the poets at this time. Goldsmith uses it
no fewer than six times in the "Deserted Village." The original meaning
is something drawn along; from Lat. _traho_, to draw.
6. =sugh.= Also spelled _sough_. Whistling sound, murmur. Derived from the
same root as sigh, for which word it is used by Burns in his lines, "On
the Battle of Sherriffmuir":
"My heart for fear gae sough for sough
To hear the thuds," etc.
7. Compare with Gray's "Elegy," line 3:
"The ploughman homeward plods his weary way."
8. Toil was perhaps pronounced _tile_, thus properly rhyming with
_beguile_. Johnson, in "London," says:
"On all thy hours security shall smile,
And bless thine evening walk and morning toil."
9. =bairns.= From A.-S. _bearns_, children.
10. =ca'.= Drive, follow. Probably not from the same root as our common
word _call_. Kingsley uses it in this sense in the line:
"Go, Mary, go, and call the cattle home."
Public-domain text, read in full here on John Shaqi.
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